Tracing women artists in Indonesia (1940-1970): Difference between revisions
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==Alimah== | ==Alimah== | ||
* Setiawan, Hersri. 1999. ''Lekra Yogyakarta''. Cultural Records. | * '''Setiawan, Hersri. 1999. ''Lekra Yogyakarta''. Cultural Records.''' | ||
Alimah was mentioned in Setiawan’s notes about the member of Lekra and the People’s Painting Studio (Sanggar Pelukis Rakyat) as a female surrealist painter with a modest and sharp style. Alimah and her whole body of work have disappeared after the 30th September Movement in 1965 until today. | Alimah was mentioned in Setiawan’s notes about the member of Lekra and the People’s Painting Studio (Sanggar Pelukis Rakyat) as a female surrealist painter with a modest and sharp style. Alimah and her whole body of work have disappeared after the 30th September Movement in 1965 until today. | ||
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==Aty Ismangil== | ==Aty Ismangil== | ||
Revision as of 11:28, 27 October 2025
About the annotated bibliography
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Initiator
The Indonesian Women's Archives and History Space (RUAS) is a collective space for women's critical thinking, run by historians and activist-scholars. RUAS' work includes archiving that is oriented towards memory, activism practices, women's thoughts and feelings, for justice, social, political and cultural change.
RUAS defines archiving-activism as a social movement which documents movements, thoughts and feelings, as well as presenting women's narratives that are overlooked in Indonesia's mainstream history. We aim to care for and recall women's movements as a way to support social change and bring about justice as well as equality.
How to contribute to this
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Alimah
- Setiawan, Hersri. 1999. Lekra Yogyakarta. Cultural Records.
Alimah was mentioned in Setiawan’s notes about the member of Lekra and the People’s Painting Studio (Sanggar Pelukis Rakyat) as a female surrealist painter with a modest and sharp style. Alimah and her whole body of work have disappeared after the 30th September Movement in 1965 until today.
- Lorem ipsum
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