The planet from where we stand: Difference between revisions
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==[[Simposium Khatulistiwa (2010-2018)]]== | ==[[Simposium Khatulistiwa (2010-2018)]]== | ||
==[[Choreographed Knowledges]]== | ==[[Choreographed Knowledges]]== | ||
This timeline traces how education became a tool: To sort bodies, train workers, pacify unrest, domesticate desire. It’s about the shifting techniques of governance (be it colonial or of equals) that taught people what they were allowed to become. But it’s also about refusal—about the skills that leak out of textbooks, the rituals that resist syllabi, the know-how passed between hands. What appears as “policy” in one entry might reappear as exile in another. | This timeline traces how education became a tool: To sort bodies, train workers, pacify unrest, domesticate desire. It’s about the shifting techniques of governance (be it colonial or of equals) that taught people what they were allowed to become. But it’s also about refusal—about the skills that leak out of textbooks, the rituals that resist syllabi, the know-how passed between hands. What appears as “policy” in one entry might reappear as exile in another. | ||
The timeline carries weight—physically, textually, structurally. To read it, you might have to crouch, turn, walk sideways. That movement echoes the entries themselves: where bodies are bent by state agendas, where migrant workers rehearse for futures not entirely their own. This choreography of adaptation—of being made compatible—is one of the timeline’s deepest concerns. It invites you to notice not just what you learned, but how, and why, how much, and at what cost. | The timeline carries weight—physically, textually, structurally. To read it, you might have to crouch, turn, walk sideways. That movement echoes the entries themselves: where bodies are bent by state agendas, where migrant workers rehearse for futures not entirely their own. This choreography of adaptation—of being made compatible—is one of the timeline’s deepest concerns. It invites you to notice not just what you learned, but how, and why, how much, and at what cost. | ||
==[[Para sekutu yang tidak bisa berkata tidak]]== | ==[[Para sekutu yang tidak bisa berkata tidak]]== | ||
Revision as of 12:27, 2 August 2025
Simposium Khatulistiwa (2010-2018)
Choreographed Knowledges
This timeline traces how education became a tool: To sort bodies, train workers, pacify unrest, domesticate desire. It’s about the shifting techniques of governance (be it colonial or of equals) that taught people what they were allowed to become. But it’s also about refusal—about the skills that leak out of textbooks, the rituals that resist syllabi, the know-how passed between hands. What appears as “policy” in one entry might reappear as exile in another.
The timeline carries weight—physically, textually, structurally. To read it, you might have to crouch, turn, walk sideways. That movement echoes the entries themselves: where bodies are bent by state agendas, where migrant workers rehearse for futures not entirely their own. This choreography of adaptation—of being made compatible—is one of the timeline’s deepest concerns. It invites you to notice not just what you learned, but how, and why, how much, and at what cost.