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They currently play with explorations on the practices of ''Indonesia New Art Movement (1975-1989)'', ''Kustiyah (1935-2012)'', and ''Danarto (1940-2018)''; exhibition histories surrounding ''Kesenian Indonesia (Indonesian Art, 1955)'', ''BINAL Experimental Arts (1992)'', ''Contemporary Art Exhibition of the Non-Aligned Countries (1995)''; while attempting to unravel Indonesia’s so-called national history through its official visual representations. | They currently play with explorations on the practices of ''Indonesia New Art Movement (1975-1989)'', ''Kustiyah (1935-2012)'', and ''Danarto (1940-2018)''; exhibition histories surrounding ''Kesenian Indonesia (Indonesian Art, 1955)'', ''BINAL Experimental Arts (1992)'', ''Contemporary Art Exhibition of the Non-Aligned Countries (1995)''; while attempting to unravel Indonesia’s so-called national history through its official visual representations. | ||
Currently, they are finalising two monographs, one of ''Danarto (1940-2018)'' and another of ''Kustiyah (1935-2012)''; cooking up their curatorial contributions for [//https://www.google.com/search?client=opera&q=singapore+biennale+hyphen+2025&sourceid=opera&ie=UTF-8&oe=UTF-8 Singapore Biennale 2025: pure intentions]; with Danarto dkk. | Currently, they are finalising two monographs, one of ''Danarto (1940-2018)'' and another of ''Kustiyah (1935-2012)''; cooking up their curatorial contributions for [//https://www.google.com/search?client=opera&q=singapore+biennale+hyphen+2025&sourceid=opera&ie=UTF-8&oe=UTF-8 Singapore Biennale 2025: pure intentions]; with Danarto dkk.; getting ready for the launch of the English translation of Danarto's short stories on and around Palestine ''From Jerusalem to Armageddon'' that will be published the journal [//https://southeastofnow.com Soutehast of Now]; whilst translating a selection of texts from [//https://learningpalestine.net learningpalestine.net] to bahasa Indonesia to be broadcasted at [//https://www.radioalhara.net Radio Alhara] every first Wednesday of the month with [//https://www.instagram.com/nayamullah Nayamullah Station]. | ||
Recent archival showcases and research presentations include ''A roundabout: Blooming mementos, towards monument'' as part of [//https://www.jimthompsonartcenter.org/exhibitions/the-shattered-worlds-micro-narratives-from-the-ho-chi-minh-trail-to-the-great-steppe The shattered worlds: Micro narratives from the Ho Chi Minh Trail to The Great Steppe] in Jim Thompson Art Center & Bangkok Art & Culture Center (2025); ''Taman Bacaan Danarto: ARCUS'' in their [//https://www.arcus-project.com/en/event/2024-open-studios/ 2024 Open Studios], at ARCUS, Moriya (2024); ''Sesudah banjir itu (When the flood is over)'' as part of [//https://www.museummacan.org/exhibition/voice-against-reason Voice against reason] at Museum MACAN, Jakarta (2023); and ''As if there is no sun'' that won the [//https://carnegieart.org/international/2022-carnegie-international/prize-winners/ Fine Prize Award] at the 58th Carnegie International, Pittsburgh (2022). | Recent archival showcases and research presentations include ''A roundabout: Blooming mementos, towards monument'' as part of [//https://www.jimthompsonartcenter.org/exhibitions/the-shattered-worlds-micro-narratives-from-the-ho-chi-minh-trail-to-the-great-steppe The shattered worlds: Micro narratives from the Ho Chi Minh Trail to The Great Steppe] in Jim Thompson Art Center & Bangkok Art & Culture Center (2025); ''Taman Bacaan Danarto: ARCUS'' in their [//https://www.arcus-project.com/en/event/2024-open-studios/ 2024 Open Studios], at ARCUS, Moriya (2024); ''Sesudah banjir itu (When the flood is over)'' as part of [//https://www.museummacan.org/exhibition/voice-against-reason Voice against reason] at Museum MACAN, Jakarta (2023); and ''As if there is no sun'' that won the [//https://carnegieart.org/international/2022-carnegie-international/prize-winners/ Fine Prize Award] at the 58th Carnegie International, Pittsburgh (2022). | ||
Revision as of 04:20, 29 April 2025
Welcome to Hyphen–
About us
Ratna Mufida, Pitra Hutomo, and Grace Samboh co-initiated Hyphen— in 2011 as a sustainable conversational space regarding aesthetic practices. Not long after, that space expanded through engagement in various artistic activities, including exhibition-making, various forms of publishing, archiving, research, open-ended conversations, karaoke, barbecue nights, feasts, etcetera. Hyphen— aims to put forward curiosity and people’s common wellbeing as the estuary of artistic practices. They were joined by Akmalia Rizqita “Chita” and Rachel K. Surijata (in 2020); as well as Ruhaeni Intan and Andri Setiawan (in 2023).
They currently play with explorations on the practices of Indonesia New Art Movement (1975-1989), Kustiyah (1935-2012), and Danarto (1940-2018); exhibition histories surrounding Kesenian Indonesia (Indonesian Art, 1955), BINAL Experimental Arts (1992), Contemporary Art Exhibition of the Non-Aligned Countries (1995); while attempting to unravel Indonesia’s so-called national history through its official visual representations.
Currently, they are finalising two monographs, one of Danarto (1940-2018) and another of Kustiyah (1935-2012); cooking up their curatorial contributions for Singapore Biennale 2025: pure intentions; with Danarto dkk.; getting ready for the launch of the English translation of Danarto's short stories on and around Palestine From Jerusalem to Armageddon that will be published the journal Soutehast of Now; whilst translating a selection of texts from learningpalestine.net to bahasa Indonesia to be broadcasted at Radio Alhara every first Wednesday of the month with Nayamullah Station.
Recent archival showcases and research presentations include A roundabout: Blooming mementos, towards monument as part of The shattered worlds: Micro narratives from the Ho Chi Minh Trail to The Great Steppe in Jim Thompson Art Center & Bangkok Art & Culture Center (2025); Taman Bacaan Danarto: ARCUS in their 2024 Open Studios, at ARCUS, Moriya (2024); Sesudah banjir itu (When the flood is over) as part of Voice against reason at Museum MACAN, Jakarta (2023); and As if there is no sun that won the Fine Prize Award at the 58th Carnegie International, Pittsburgh (2022).