Sketches, stitches, and negotiations: Unravelling Indonesia’s national history through its visual representations

Museum Monas, Jakarta, 2014. Taken by Ary “Jimged” Sendy. Collection of Hyphen— and the artist.

About the research

Van Lith School, Jakarta, ca. 1960s. Scanned and archived by Hyphen— from the collection of Griya Seni Hj. Kustiyah Edhi Sunarso.

Edhi Sunarso may well be the only artist who worked with all regimes, all throughout the time, including after Reformasi. Artists from Sukarno’s era are generally attached, or associated in whatever ways, to the Indonesia Communist Party or its cultural under-bow, LEKRA. This means that during Soeharto’s regime, they would have been either annihilated, silenced, or put in prison, at the very least. Right after Reformasi, artists who worked under the Soeharto: regime would have been skipped from the public reference, as they’d be considered allies to the oppressive and cruel government. So, how could Pak Edhi work with all these regimes? While we were chatting with Pak Edhi, the artisans in his studio were building two state- commissioned monuments. The first was of the nationally acknowledged hero, Diponegoro; and second, two horses interacting in joy. Both monuments were for the city government of Makassar. Mind you, this was 2014, so almost two decades after Reformasi and at the fourth president after the military regime was over.

“I made almost all of the dioramas in Indonesia. I made almost all of the dioramas in Indonesia. Firstly, of course, Monas [Museum Sejarah Nasional/National History Museum in Monumen Nasional/National Monument, in Jakarta],” Pak Edhi began his story. Two hours of conversation was not enough. We kept coming back to Pak Edhi with more and more questions and eventually he allowed us to unpack all of his photo albums and boxes of documents. Naturally, we started organizing them to make sense of things. Everything else slowly follows.

Jembatan Merah, Surabaya, ca. 1960s. Scanned and archived by Hyphen— from the collection of Griya Seni Hj. Kustiyah Edhi Sunarso.

Articulations and public encounters

• 2025 [WORKSHOP] Sesudah banjir itu No. 44 (When the flood is over No. 44 ), organised by Tom Nicholson, Hyphen— and Griya Seni Hj. Kustiyah Edhi Sunarso, Griya Seni Hj. Kustiyah Edhi Sunarso (Yogyakarta), 8 - 15 February. Supported by Henry Moore Foundation and Singapore Art Museum
• 2023 [GROUP EXHIBITION] Voice Against Reason, MACAN Museum (Jakarta, Indonesia),18 November 2023 – 14 April 2024. More information about the exhibition can be found here
• 2023 [WORKSHOP] Sesudah banjir itu No. 32 (When the flood is over No. 32 ), organised by Tom Nicholson, Hyphen— and Griya Seni Hj. Kustiyah Edhi Sunarso, Griya Seni Hj. Kustiyah Edhi Sunarso (Yogyakarta), 25 September - 2 October.

Publications

• 2010 [MONOGRAPH] Edhi Sunarso: Seniman Pejuang (Edhi Sunarso: The Fighter Artist, in English & bahasa Indonesia), edited by Mikke Susanto, published by CV Hasta Kreatifa Manunggal, Yogyakarta. 320 pp., color, illus., ISBN 9786029704204. https://opac.isi.ac.id/index.php?p=show_detail&id=43217&keywords=#gsc.tab=0

• 2017 [JOURNAL] Towards figures of dedication, and a flood by Tom Nicholson with Grace Samboh, in Southeast of Now: Directions in Contemporary and Modern Art in Asia Volume 1, Number 1, March 2017, NUS Press Pte Ltd. Online ISSN 2425-0147, Print ISSN 2424-9947. Also accessible online, here.

• 2020 [MONOGRAPH] Edhi Sunarso: Penggubah Monumen Bangsa (Edhi Sunarso: The nation’s monument-maker), written by Grace Samboh & Ratna Mufida, published by Pusaka Seni Rupa, Kementerian Pendidikan dan Kebudayaan, Jakarta, Indonesia. Also accesible online, here.

• 2021 [GUIDE BOOK] Truly national: A look to forward to an Indonesian past, Grace Samboh & Rachel K. Surijata (eds.), published by Hyphen—, 66 pp., color, illus., ISBN 978-623-96401-1-8. Downloadable here.

• 2021 [CATALOGUE] A nation across the windows that display the national, Grace Samboh & Rachel K. Surijata (eds.), published by Hyphen—, 70 pp., color, illus., ISBN 978-623-96401-0-1. Downloadable here.

Further reading

Museum Monas, Jakarta, 2014. Taken by Ary “Jimged” Sendy. Collection of Hyphen— and the artist.

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