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Welcome to Hyphen–
__NOTOC__
Pardon the language mix. When we write essays, or even introductory text, we tend to write in our native, ''bahasa Indonesia''. But for this wiki, you'll read more in English.


== About us ==
==[[Project:About|Hyphen—]]==
[[File:H— logo stamped on paper.png|150px|right|thumb]]
[[File:H— logo stamped on paper.png|150px|right|thumb]]
[[Ratna Mufida]], [[Pitra Hutomo]], and [[Grace Samboh]] co-initiated Hyphen— in 2011 as a sustainable conversational space regarding aesthetic practices. Not long after, that space expanded through engagement in various artistic activities, including exhibition-making, various forms of publishing, archiving, research, open-ended conversations, karaoke, barbecue nights, feasts, etcetera. Hyphen— aims to put forward curiosity and people’s common wellbeing as the estuary of artistic practices. They were joined by [[Akmalia Rizqita “Chita”]] and [[Rachel K. Surijata]] (in 2020); as well as [[Ruhaeni Intan]] and [[Andri Setiawan]] (in 2023).


They currently play with explorations on the practices of ''Indonesia New Art Movement (1975-1989)'', ''Kustiyah (1935-2012)'', and ''Danarto (1940-2018)''; exhibition histories surrounding ''Kesenian Indonesia (Indonesian Art, 1955)'', ''BINAL Experimental Arts (1992)'', ''Contemporary Art Exhibition of the Non-Aligned Countries (1995)''; while attempting to unravel Indonesia’s so-called national history through its official visual representations.
===One-liner===
Since 2011, [[Project:About|Hyphen—]] is a research initiative that puts forward curiosity and common wellbeing as the estuary of artistic practices.
===Sepatah===
Sejak 2011, Hyphen— adalah prakarsa penelitian yang mengedepankan rasa penasaran dan kesejahteraan hidup bersama sebagai muara dari kerja-kerja kesenian.


Currently, they are finalising two monographs, one of ''Danarto (1940-2018)'' and another of ''Kustiyah (1935-2012)'' whilst cooking up their curatorial contributions for [//https://www.google.com/search?client=opera&q=singapore+biennale+hyphen+2025&sourceid=opera&ie=UTF-8&oe=UTF-8 Singapore Biennale 2025: pure intentions].
===Around now===


Recent archival showcases and research presentations include ''A roundabout: Blooming mementos, towards monument'' as part of [//https://www.jimthompsonartcenter.org/exhibitions/the-shattered-worlds-micro-narratives-from-the-ho-chi-minh-trail-to-the-great-steppe The shattered worlds: Micro narratives from the Ho Chi Minh Trail to The Great Steppe] in Jim Thompson Art Center & Bangkok Art & Culture Center (2025); ''Taman Bacaan Danarto: ARCUS'' in their [//https://www.arcus-project.com/en/event/2024-open-studios/ 2024 Open Studios], at ARCUS, Moriya (2024); ''Sesudah banjir itu (When the flood is over)'' as part of [//https://www.museummacan.org/exhibition/voice-against-reason Voice against reason] at Museum MACAN, Jakarta (2023); and ''As if there is no sun'' that won the [//https://carnegieart.org/international/2022-carnegie-international/prize-winners/ Fine Prize Award] at the 58th Carnegie International, Pittsburgh (2022).
Currently, [[Project:About|we]] are finalising two monographs, one of ''Danarto (1940-2018)'' and another of ''Kustiyah (1935-2012)''; cooking up our curatorial contributions for [https://www.singaporeartmuseum.sg/Art-Events/Exhibitions/Singapore-Biennale-2025 Singapore Biennale 2025: pure intentions]; compiling Danarto's children stories and hopefully publishing it into a book; getting ready for the launch of Danarto dkk.'s English translation of Danarto's short stories on and around Palestine (1968-2009) ''From Jerusalem to Armageddon'' that will be published the journal [https://southeastofnow.com Southeast of Now]; whilst translating a selection of texts from [https://learningpalestine.net learningpalestine.net] to bahasa Indonesia to be broadcasted at [https://www.radioalhara.net Radio Alhara] every first Wednesday of the month with [https://www.instagram.com/nayamullah Nayamullah Station].


== Browse Projects ==
Recent archival showcases and research presentations includes ''A roundabout: Blooming mementos, towards monument'' as part of [https://www.jimthompsonartcenter.org/exhibitions/the-shattered-worlds-micro-narratives-from-the-ho-chi-minh-trail-to-the-great-steppe The shattered worlds: Micro narratives from the Ho Chi Minh Trail to The Great Steppe] in Jim Thompson Art Center & Bangkok Art & Culture Center (2025); ''Taman Bacaan Danarto: ARCUS'' in their [https://www.arcus-project.com/en/event/2024-open-studios/ 2024 Open Studios], at ARCUS, Moriya (2024); ''Sesudah banjir itu (When the flood is over)'' as part of [https://www.museummacan.org/exhibition/voice-against-reason Voice against reason] at Museum MACAN, Jakarta (2023); and ''As if there is no sun'' that won the [https://carnegieart.org/international/2022-carnegie-international/prize-winners/ Fine Prize Award] at the 58th Carnegie International, Pittsburgh (2022).
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==Our research trajectories==
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[[File:Kusetal 2306 ARTJOG 01.jpeg|500px|right|thumb|''Di belakang kanvas'' (''At the back of the canvas'') in ARTJOG, 2023.]]
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===[[Indonesia New Art Movement (1975-1989)]]===
===[[Kus, et al.]]===
===[[Proses adalah ketika kita. (Process is when we.)]]===
===[[Sketches, stitches, and negotiations: Unravelling Indonesia’s national history through its visual representations]]===
===[[The planet from where we stand]]===
 
==Contact us==
via email here [mailto:hyphen.rpg@gmail.com hyphen dot rpg at gmail dot com]<br>
or DM here [https://www.instagram.com/hyphendotwebdotid instagram.com/hyphendotwebdotid]<br>
<br>
<br>

Latest revision as of 06:56, 22 July 2025

Pardon the language mix. When we write essays, or even introductory text, we tend to write in our native, bahasa Indonesia. But for this wiki, you'll read more in English.

Hyphen—

H— logo stamped on paper.png

One-liner

Since 2011, Hyphen— is a research initiative that puts forward curiosity and common wellbeing as the estuary of artistic practices.

Sepatah

Sejak 2011, Hyphen— adalah prakarsa penelitian yang mengedepankan rasa penasaran dan kesejahteraan hidup bersama sebagai muara dari kerja-kerja kesenian.

Around now

Currently, we are finalising two monographs, one of Danarto (1940-2018) and another of Kustiyah (1935-2012); cooking up our curatorial contributions for Singapore Biennale 2025: pure intentions; compiling Danarto's children stories and hopefully publishing it into a book; getting ready for the launch of Danarto dkk.'s English translation of Danarto's short stories on and around Palestine (1968-2009) From Jerusalem to Armageddon that will be published the journal Southeast of Now; whilst translating a selection of texts from learningpalestine.net to bahasa Indonesia to be broadcasted at Radio Alhara every first Wednesday of the month with Nayamullah Station.

Recent archival showcases and research presentations includes A roundabout: Blooming mementos, towards monument as part of The shattered worlds: Micro narratives from the Ho Chi Minh Trail to The Great Steppe in Jim Thompson Art Center & Bangkok Art & Culture Center (2025); Taman Bacaan Danarto: ARCUS in their 2024 Open Studios, at ARCUS, Moriya (2024); Sesudah banjir itu (When the flood is over) as part of Voice against reason at Museum MACAN, Jakarta (2023); and As if there is no sun that won the Fine Prize Award at the 58th Carnegie International, Pittsburgh (2022).

Our research trajectories

Di belakang kanvas (At the back of the canvas) in ARTJOG, 2023.

Indonesia New Art Movement (1975-1989)

Kus, et al.

Proses adalah ketika kita. (Process is when we.)

Sketches, stitches, and negotiations: Unravelling Indonesia’s national history through its visual representations

The planet from where we stand

Contact us

via email here hyphen dot rpg at gmail dot com
or DM here instagram.com/hyphendotwebdotid