Project:About: Difference between revisions

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===[[Pitra Hutomo]]===
===[[Pitra Hutomo]]===
'''Pitra Hutomo''' (b. 1984, Jakarta, they/them) works as a knowledge management facilitator for civil society groups. They use art and technology to open conversations about ecological crises, human rights enforcement, group well-being and growth, as well as the security and safety of human rights defenders. Pitra is involved in art collectives and feminist activism such as Hyphen—Peretas, TaskForce KBGO, Biyung Indonesia. Until January 2024 they is a member of the Advisory Council of the Creative Industries and Media Workers Union Organization (SINDIKASI).
===[[Grace Samboh]]===
===[[Grace Samboh]]===
===[[Akmalia Rizqita “Chita”]]===
===[[Akmalia Rizqita “Chita”]]===

Revision as of 10:45, 23 April 2025

About us

Ratna Mufida, Pitra Hutomo, and Grace Samboh co-initiated Hyphen— in 2011 as a sustainable conversational space regarding aesthetic practices. Not long after, that space expanded through engagement in various artistic activities, including exhibition-making, various forms of publishing, archiving, research, open-ended conversations, karaoke, barbecue nights, feasts, etcetera. Hyphen— aims to put forward curiosity and people’s common wellbeing as the estuary of artistic practices. They were joined by Akmalia Rizqita “Chita” and Rachel K. Surijata (in 2020); as well as Ruhaeni Intan and Andri Setiawan (in 2023).

They currently play with explorations on the practices of Indonesia New Art Movement (1975-1989), Kustiyah (1935-2012), and Danarto (1940-2018); exhibition histories surrounding Kesenian Indonesia (Indonesian Art, 1955), BINAL Experimental Arts (1992), Contemporary Art Exhibition of the Non-Aligned Countries (1995); while attempting to unravel Indonesia’s so-called national history through its official visual representations.

We are

Ratna Mufida

Ratna Mufida (b. 1979, Kediri) enjoys working and playing around with her close friends at Hyphen— while doing research, curatorial, managerial, and administrative work all at once. With them, she takes a round-trip journey through the knowledge that are rooted in practices and works of a number of artists in Indonesia from the past. Through this journey, she explores the potential of reading and practicing this knowledge in the context of today’s art practice. Sometimes, she also thinks about the issue of the welfare of art workers in Indonesia.

Pitra Hutomo

Pitra Hutomo (b. 1984, Jakarta, they/them) works as a knowledge management facilitator for civil society groups. They use art and technology to open conversations about ecological crises, human rights enforcement, group well-being and growth, as well as the security and safety of human rights defenders. Pitra is involved in art collectives and feminist activism such as Hyphen—Peretas, TaskForce KBGO, Biyung Indonesia. Until January 2024 they is a member of the Advisory Council of the Creative Industries and Media Workers Union Organization (SINDIKASI).

Grace Samboh

Akmalia Rizqita “Chita”

Rachel K. Surijata

Ruhaeni Intan

Andri Setiawan

Our office

Rukan details

Research trajectories

Indonesia New Art Movement (1975-1989)

Kus, et al.

Proses adalah ketika kita. (Process is when we.)

Sketches, stitches, and negotiations: Unravelling Indonesia’s national history through its visual representations

The planet from where we stand