Sketches, stitches, and negotiations: Unravelling Indonesia’s national history through its visual representations: Difference between revisions

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[[File:SSN-Jembatan-Merah-Surabaya.jpg|200px|right|thumb|Jembatan Merah, Surabaya, ca. 1960s. Scanned and archived by Hyphen— from the collection of Griya Seni Hj. Kustiyah Edhi Sunarso.]]
[[File:SSN-Jembatan-Merah-Surabaya.jpg|200px|right|thumb|Jembatan Merah, Surabaya, ca. 1960s. Scanned and archived by Hyphen— from the collection of Griya Seni Hj. Kustiyah Edhi Sunarso.]]


==Data catalogue==
==[[Sketches, stitches, and negotiations: Data catalogue|Data catalogue]]==
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nunc porttitor mauris metus, vitae venenatis lacus gravida sit amet. Suspendisse cursus lectus eu leo varius, at auctor nibh imperdiet. Nunc consectetur metus eu venenatis commodo. Mauris molestie magna velit. Quisque malesuada, massa et maximus malesuada, mauris arcu ultricies purus, nec faucibus nunc sem tincidunt massa. Phasellus non rutrum arcu. Nam maximus risus libero, nec varius neque sollicitudin sit amet. Pellentesque suscipit, nibh nec luctus molestie, dui nunc gravida dolor, non condimentum elit ligula et turpis. Quisque ut ex convallis, congue urna egestas, ornare eros. Etiam feugiat nunc eu suscipit sagittis. Maecenas ullamcorper lacus nisi, in viverra urna pharetra et. Morbi accumsan auctor egestas. Quisque velit lectus, finibus a mauris et, dapibus auctor sapien.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nunc porttitor mauris metus, vitae venenatis lacus gravida sit amet. Suspendisse cursus lectus eu leo varius, at auctor nibh imperdiet. Nunc consectetur metus eu venenatis commodo. Mauris molestie magna velit. Quisque malesuada, massa et maximus malesuada, mauris arcu ultricies purus, nec faucibus nunc sem tincidunt massa. Phasellus non rutrum arcu. Nam maximus risus libero, nec varius neque sollicitudin sit amet. Pellentesque suscipit, nibh nec luctus molestie, dui nunc gravida dolor, non condimentum elit ligula et turpis. Quisque ut ex convallis, congue urna egestas, ornare eros. Etiam feugiat nunc eu suscipit sagittis. Maecenas ullamcorper lacus nisi, in viverra urna pharetra et. Morbi accumsan auctor egestas. Quisque velit lectus, finibus a mauris et, dapibus auctor sapien.
===Nama file tanpa tahun==
<iframe src="https://archive.org/embed/19790801-waspada-mendekati-cerpen-danarto-ngung-ngung-cak-cak" width="560" height="384" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe>
===Nama file tanpa tahun==
[[File:Example.pdf|https://archive.org/details/19790801-waspada-mendekati-cerpen-danarto-ngung-ngung-cak-cak]]


==Articulations and public encounters==
==Articulations and public encounters==

Latest revision as of 06:38, 8 January 2026

Museum Monas, Jakarta, 2014. Taken by Ary “Jimged” Sendy. Collection of Hyphen— and the artist.

About the research

Van Lith School, Jakarta, ca. 1960s. Scanned and archived by Hyphen— from the collection of Griya Seni Hj. Kustiyah Edhi Sunarso.

Edhi Sunarso may well be the only artist who worked with all regimes, all throughout the time, including after Reformasi. Artists from Sukarno’s era are generally attached, or associated in whatever ways, to the Indonesia Communist Party or its cultural under-bow, LEKRA. This means that during Soeharto’s regime, they would have been either annihilated, silenced, or put in prison, at the very least. Right after Reformasi, artists who worked under the Soeharto: regime would have been skipped from the public reference, as they’d be considered allies to the oppressive and cruel government. So, how could Pak Edhi work with all these regimes? While we were chatting with Pak Edhi, the artisans in his studio were building two state- commissioned monuments. The first was of the nationally acknowledged hero, Diponegoro; and second, two horses interacting in joy. Both monuments were for the city government of Makassar. Mind you, this was 2014, so almost two decades after Reformasi and at the fourth president after the military regime was over.

“I made almost all of the dioramas in Indonesia. I made almost all of the dioramas in Indonesia. Firstly, of course, Monas [Museum Sejarah Nasional/National History Museum in Monumen Nasional/National Monument, in Jakarta],” Pak Edhi began his story. Two hours of conversation was not enough. We kept coming back to Pak Edhi with more and more questions and eventually he allowed us to unpack all of his photo albums and boxes of documents. Naturally, we started organizing them to make sense of things. Everything else slowly follows.

Jembatan Merah, Surabaya, ca. 1960s. Scanned and archived by Hyphen— from the collection of Griya Seni Hj. Kustiyah Edhi Sunarso.

Data catalogue

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nunc porttitor mauris metus, vitae venenatis lacus gravida sit amet. Suspendisse cursus lectus eu leo varius, at auctor nibh imperdiet. Nunc consectetur metus eu venenatis commodo. Mauris molestie magna velit. Quisque malesuada, massa et maximus malesuada, mauris arcu ultricies purus, nec faucibus nunc sem tincidunt massa. Phasellus non rutrum arcu. Nam maximus risus libero, nec varius neque sollicitudin sit amet. Pellentesque suscipit, nibh nec luctus molestie, dui nunc gravida dolor, non condimentum elit ligula et turpis. Quisque ut ex convallis, congue urna egestas, ornare eros. Etiam feugiat nunc eu suscipit sagittis. Maecenas ullamcorper lacus nisi, in viverra urna pharetra et. Morbi accumsan auctor egestas. Quisque velit lectus, finibus a mauris et, dapibus auctor sapien.

Articulations and public encounters

  • 2025 [WORKSHOP] Alkisah...(Once upon a time...), organised by Hyphen— and Singapore Art Museum, Singapore Art Museum, 8 Nov 2025 - 24 Jan 2026. Supported by Singapore Art Museum
  • 2025 [WORKSHOP] Sesudah banjir itu No. 44 (When the flood is over No. 44 ), organised by Tom Nicholson, Hyphen— and Griya Seni Hj. Kustiyah Edhi Sunarso, Griya Seni Hj. Kustiyah Edhi Sunarso (Yogyakarta), 8 - 15 February. Supported by Henry Moore Foundation and Singapore Art Museum
  • 2023 [GROUP EXHIBITION] Voice Against Reason, MACAN Museum (Jakarta, Indonesia),18 November 2023 – 14 April 2024. More information about the exhibition can be found here
  • 2023 [WORKSHOP] Sesudah banjir itu No. 32 (When the flood is over No. 32 ), organised by Tom Nicholson, Hyphen— and Griya Seni Hj. Kustiyah Edhi Sunarso, Griya Seni Hj. Kustiyah Edhi Sunarso (Yogyakarta), 25 September - 2 October.

Publications

  • 2017 [JOURNAL] Towards figures of dedication, and a flood by Tom Nicholson with Grace Samboh, in Southeast of Now: Directions in Contemporary and Modern Art in Asia Volume 1, Number 1, March 2017, NUS Press Pte Ltd. Online ISSN 2425-0147, Print ISSN 2424-9947. Also accessible online, here.
  • 2020 [MONOGRAPH] Edhi Sunarso: Penggubah Monumen Bangsa (Edhi Sunarso: The nation’s monument-maker), written by Grace Samboh & Ratna Mufida, published by Pusaka Seni Rupa, Kementerian Pendidikan dan Kebudayaan, Jakarta, Indonesia. Also accesible online, here.

Further reading

Museum Monas, Jakarta, 2014. Taken by Ary “Jimged” Sendy. Collection of Hyphen— and the artist.

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