Proses adalah ketika kita. (Process is when we.) - Revision history

R Intan: /* Publication */

2026-02-06T11:27:55Z

Publication

← Older revision		Revision as of 11:27, 6 February 2026
Line 76:		Line 76:

	==Publication==		==Publication==
	~~Lorem ipsum.~~

	~~===~~Dari Yerusalem ke Armageddon~~===~~		* Dari Yerusalem ke Armageddon
			* From Jerusalem to Armageddon
	~~===~~From Jerusalem to Armageddon~~===~~

	~~===Monograf Danarto===~~

R Intan: /* Nayamullah */

2026-02-06T11:26:00Z

Nayamullah

← Older revision		Revision as of 11:26, 6 February 2026
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	Nayamullah is a band with no fixed members. An expansion of the Danarto dkk. research that focuses on music, sound, oralities, as well as the practice of listening.		Nayamullah is a band with no fixed members. An expansion of the Danarto dkk. research that focuses on music, sound, oralities, as well as the practice of listening.

	===Loka-Loka===		== Loka-Loka ==
	Lorem ipsum.		Lorem ipsum.

R Intan: /* Nayamullah */

2026-02-06T11:25:47Z

Nayamullah

← Older revision		Revision as of 11:25, 6 February 2026
Line 69:		Line 69:
	Nayamullah is a band with no fixed members. An expansion of the Danarto dkk. research that focuses on music, sound, oralities, as well as the practice of listening.		Nayamullah is a band with no fixed members. An expansion of the Danarto dkk. research that focuses on music, sound, oralities, as well as the practice of listening.

	=~~==Nayamullah station===~~		===Loka-Loka===
	~~Nayamullah station is a radio without network. Rooted in Danarto dkk. research, broadcasted in collaborations with online radio stations.~~

	~~===Teman tapi tandang===~~
	~~A jamming station, rooted in Nayamullah.~~

	~~===Undang-undang===~~
	~~A concert by Nayamullah.~~

	==Loka-Loka==
	Lorem ipsum.		Lorem ipsum.

R Intan at 09:24, 28 October 2025

2025-10-28T09:24:53Z

← Older revision		Revision as of 09:24, 28 October 2025
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	==Loka-Loka==		==Loka-Loka==
	Lorem ipsum.		Lorem ipsum.


	==IQRA==		==IQRA==
	Lorem ipsum.		Lorem ipsum.


	==Publication==		==Publication==

GraceSamboh at 12:24, 17 September 2025

2025-09-17T12:24:43Z

← Older revision		Revision as of 12:24, 17 September 2025
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	Between 1964 and 1967, Danarto slowly moved from Yogyakarta to the national capital, Jakarta. Before settling, he sojourned in several towns along the northern coast of Java, a journey he took so he could experience ''shalat'' (prayer) in the region’s various mosques. This was when he converted to Islam, a decision intended to bring him closer to the majority of the country’s population. By the late seventies, he had begun to reflect on this transitional moment and the period of his conversion. In the early eighties, he won a prestigious literature award from Jakarta’s oldest government-funded arts institution, Taman Ismail Marzuki, for a compilation of unorthodox short stories entitled ''Adam Ma’rifat'' (Jakarta: Balai Pustaka, 1982), which was labelled magical realist, as well as mystic and Sufistic. Soon after, he published his pilgrimage memoir ''Orang Jawa Naik Haji'' (Jakarta: Grafiti Pers, 1984) and started contributing regular columns to Islamic leaning newspapers (such as ''Republika'') and magazines (e.g., ''Ulumul Quran''). Despite all this activity, he was never part of the newly coined discourse of ''Seni Rupa Modern Islam'' (Islamic [Modern] Fine Art), nor of exhibitions or discussions on that topic. Reflecting on this, he lightly commented, “God, is all around, in all that exists, be it the rights or the wrongs, in all the living and dead beings. My friends who grew up in Islamic boarding schools are far more tense than me. [For them,] it seems impossible for God and all the majestic beings to be a part of our life as humans.” Indeed, Danarto truly believed that all beings, celestial or worldly, co-exist—God included. So there was no need to treat any of them as more special than the others.		Between 1964 and 1967, Danarto slowly moved from Yogyakarta to the national capital, Jakarta. Before settling, he sojourned in several towns along the northern coast of Java, a journey he took so he could experience ''shalat'' (prayer) in the region’s various mosques. This was when he converted to Islam, a decision intended to bring him closer to the majority of the country’s population. By the late seventies, he had begun to reflect on this transitional moment and the period of his conversion. In the early eighties, he won a prestigious literature award from Jakarta’s oldest government-funded arts institution, Taman Ismail Marzuki, for a compilation of unorthodox short stories entitled ''Adam Ma’rifat'' (Jakarta: Balai Pustaka, 1982), which was labelled magical realist, as well as mystic and Sufistic. Soon after, he published his pilgrimage memoir ''Orang Jawa Naik Haji'' (Jakarta: Grafiti Pers, 1984) and started contributing regular columns to Islamic leaning newspapers (such as ''Republika'') and magazines (e.g., ''Ulumul Quran''). Despite all this activity, he was never part of the newly coined discourse of ''Seni Rupa Modern Islam'' (Islamic [Modern] Fine Art), nor of exhibitions or discussions on that topic. Reflecting on this, he lightly commented, “God, is all around, in all that exists, be it the rights or the wrongs, in all the living and dead beings. My friends who grew up in Islamic boarding schools are far more tense than me. [For them,] it seems impossible for God and all the majestic beings to be a part of our life as humans.” Indeed, Danarto truly believed that all beings, celestial or worldly, co-exist—God included. So there was no need to treat any of them as more special than the others.

	==Danarto dkk.=g=		==Danarto dkk.==
	Groundwork research on Danarto is not only tempting but very necessary. Even our cultural history is still polarized between left and right, right and wrong, the good and the bad. Such limited, singular narratives of the past are numbing, deafening and blinding us, in Indonesia and everywhere on this planet. Danarto dkk is a space for us to develop a third, fourth, or fifth option—new perspectives, new stances, new associations and histories. The research began with collecting Danarto’s documents, photos, interviews, ephemera, etc in 2016.		Groundwork research on Danarto is not only tempting but very necessary. Even our cultural history is still polarized between left and right, right and wrong, the good and the bad. Such limited, singular narratives of the past are numbing, deafening and blinding us, in Indonesia and everywhere on this planet. Danarto dkk is a space for us to develop a third, fourth, or fifth option—new perspectives, new stances, new associations and histories. The research began with collecting Danarto’s documents, photos, interviews, ephemera, etc in 2016.

GraceSamboh at 12:24, 17 September 2025

2025-09-17T12:24:20Z

← Older revision		Revision as of 12:24, 17 September 2025
Line 10:		Line 10:
	Between 1964 and 1967, Danarto slowly moved from Yogyakarta to the national capital, Jakarta. Before settling, he sojourned in several towns along the northern coast of Java, a journey he took so he could experience ''shalat'' (prayer) in the region’s various mosques. This was when he converted to Islam, a decision intended to bring him closer to the majority of the country’s population. By the late seventies, he had begun to reflect on this transitional moment and the period of his conversion. In the early eighties, he won a prestigious literature award from Jakarta’s oldest government-funded arts institution, Taman Ismail Marzuki, for a compilation of unorthodox short stories entitled ''Adam Ma’rifat'' (Jakarta: Balai Pustaka, 1982), which was labelled magical realist, as well as mystic and Sufistic. Soon after, he published his pilgrimage memoir ''Orang Jawa Naik Haji'' (Jakarta: Grafiti Pers, 1984) and started contributing regular columns to Islamic leaning newspapers (such as ''Republika'') and magazines (e.g., ''Ulumul Quran''). Despite all this activity, he was never part of the newly coined discourse of ''Seni Rupa Modern Islam'' (Islamic [Modern] Fine Art), nor of exhibitions or discussions on that topic. Reflecting on this, he lightly commented, “God, is all around, in all that exists, be it the rights or the wrongs, in all the living and dead beings. My friends who grew up in Islamic boarding schools are far more tense than me. [For them,] it seems impossible for God and all the majestic beings to be a part of our life as humans.” Indeed, Danarto truly believed that all beings, celestial or worldly, co-exist—God included. So there was no need to treat any of them as more special than the others.		Between 1964 and 1967, Danarto slowly moved from Yogyakarta to the national capital, Jakarta. Before settling, he sojourned in several towns along the northern coast of Java, a journey he took so he could experience ''shalat'' (prayer) in the region’s various mosques. This was when he converted to Islam, a decision intended to bring him closer to the majority of the country’s population. By the late seventies, he had begun to reflect on this transitional moment and the period of his conversion. In the early eighties, he won a prestigious literature award from Jakarta’s oldest government-funded arts institution, Taman Ismail Marzuki, for a compilation of unorthodox short stories entitled ''Adam Ma’rifat'' (Jakarta: Balai Pustaka, 1982), which was labelled magical realist, as well as mystic and Sufistic. Soon after, he published his pilgrimage memoir ''Orang Jawa Naik Haji'' (Jakarta: Grafiti Pers, 1984) and started contributing regular columns to Islamic leaning newspapers (such as ''Republika'') and magazines (e.g., ''Ulumul Quran''). Despite all this activity, he was never part of the newly coined discourse of ''Seni Rupa Modern Islam'' (Islamic [Modern] Fine Art), nor of exhibitions or discussions on that topic. Reflecting on this, he lightly commented, “God, is all around, in all that exists, be it the rights or the wrongs, in all the living and dead beings. My friends who grew up in Islamic boarding schools are far more tense than me. [For them,] it seems impossible for God and all the majestic beings to be a part of our life as humans.” Indeed, Danarto truly believed that all beings, celestial or worldly, co-exist—God included. So there was no need to treat any of them as more special than the others.

	==Danarto dkk==		==Danarto dkk.=g=
	Groundwork research on Danarto is not only tempting but very necessary. Even our cultural history is still polarized between left and right, right and wrong, the good and the bad. Such limited, singular narratives of the past are numbing, deafening and blinding us, in Indonesia and everywhere on this planet. Danarto dkk is a space for us to develop a third, fourth, or fifth option—new perspectives, new stances, new associations and histories. The research began with collecting Danarto’s documents, photos, interviews, ephemera, etc in 2016.		Groundwork research on Danarto is not only tempting but very necessary. Even our cultural history is still polarized between left and right, right and wrong, the good and the bad. Such limited, singular narratives of the past are numbing, deafening and blinding us, in Indonesia and everywhere on this planet. Danarto dkk is a space for us to develop a third, fourth, or fifth option—new perspectives, new stances, new associations and histories. The research began with collecting Danarto’s documents, photos, interviews, ephemera, etc in 2016.

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	[[File:Danarto dkk at JILF2022.jpeg\|500px\|right\|thumb\|Danarto dkk (Danarto and friends) at Jakarta International Literary Festival in 2022.]]		[[File:Danarto dkk at JILF2022.jpeg\|500px\|right\|thumb\|Danarto dkk (Danarto and friends) at Jakarta International Literary Festival in 2022.]]

	===The members of Danarto dkk===		===The members of Danarto dkk.===

	'''Akmalia Rizqita''' (b. Jakarta, 1996) currently works as the project manager of Rubanah Underground Hub, Jakarta, Indonesia. Better known as ‘Chita’, she’s been actively involved in the local art scene by working part time in various art spaces and participated in a number of art projects since her college days in Bandung. Those experiences led her to further interest in arts management, not only as a profession but also a cultural practice.		'''Akmalia Rizqita''' (b. Jakarta, 1996) currently works as the project manager of Rubanah Underground Hub, Jakarta, Indonesia. Better known as ‘Chita’, she’s been actively involved in the local art scene by working part time in various art spaces and participated in a number of art projects since her college days in Bandung. Those experiences led her to further interest in arts management, not only as a profession but also a cultural practice.

R Intan: /* Nayamullah */

2025-08-29T13:34:13Z

Nayamullah

← Older revision		Revision as of 13:34, 29 August 2025
Line 66:		Line 66:
	''Taman Bacaan Danarto''/Danarto Reading Park is an archival exhibition that display Danarto dkk.’s modular installation set of archive collections.		''Taman Bacaan Danarto''/Danarto Reading Park is an archival exhibition that display Danarto dkk.’s modular installation set of archive collections.

	==Nayamullah==		==[[Nayamullah]]==
	Nayamullah is a band with no fixed members. An expansion of the Danarto dkk. research that focuses on music, sound, oralities, as well as the practice of listening.		Nayamullah is a band with no fixed members. An expansion of the Danarto dkk. research that focuses on music, sound, oralities, as well as the practice of listening.

R Intan: /* Taman Bacaan Danarto */

2025-08-29T10:42:36Z

Taman Bacaan Danarto

← Older revision		Revision as of 10:42, 29 August 2025
Line 64:		Line 64:

	==Taman Bacaan Danarto==		==Taman Bacaan Danarto==
	~~Lorem ipsum~~.		''Taman Bacaan Danarto''/Danarto Reading Park is an archival exhibition that display Danarto dkk.’s modular installation set of archive collections.


	==Nayamullah==		==Nayamullah==

R Intan: /* Nayamullah */

2025-08-29T10:38:13Z

Nayamullah

← Older revision		Revision as of 10:38, 29 August 2025
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	===Teman tapi tandang===		===Teman tapi tandang===
	A jamming station, rooted in Nayamullah.		A jamming station, rooted in Nayamullah.

			===Undang-undang===
			A concert by Nayamullah.

	==Loka-Loka==		==Loka-Loka==

R Intan: /* Nayamullah */

2025-08-29T10:36:24Z

Nayamullah

← Older revision		Revision as of 10:36, 29 August 2025
Line 68:		Line 68:

	==Nayamullah==		==Nayamullah==
	~~Lorem ipsum~~.		Nayamullah is a band with no fixed members. An expansion of the Danarto dkk. research that focuses on music, sound, oralities, as well as the practice of listening.

			===Nayamullah station===
			Nayamullah station is a radio without network. Rooted in Danarto dkk. research, broadcasted in collaborations with online radio stations.

	===~~Nayamullah station~~===		===Teman tapi tandang===
	~~Nayamullah~~ station ~~is a radio without network. Rooted in Danarto dkk research~~, ~~broadcasted~~ in ~~collaborations with online radio stations~~.		A jamming station, rooted in Nayamullah.

	==Loka-Loka==		==Loka-Loka==