Kus, et al. - Revision history

GraceSamboh at 07:34, 2 March 2026

2026-03-02T07:34:21Z

← Older revision		Revision as of 07:34, 2 March 2026
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	This trajectory began when [https://hyphen.web.id/index.php/Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D Chita], [https://hyphen.web.id/index.php/Grace_Samboh Grace], and [https://hyphen.web.id/index.php/Ratna_Mufida Ratna] were unpacking and reorganising the archives of sculptor Edhi Sunarso (1932–2016) at Griya Seni Hj. Kustiyah Edhi Sunarso (Kustiyah Edhi Sunarso Art House) in 2016. Edhi Sunarso was Kustiyah’s husband, who is also discussed in our research trajectory ''[https://hyphen.web.id/index.php/Sketches,_stitches,_and_negotiations:_Unravelling_Indonesia%E2%80%99s_national_history_through_its_visual_representations "Sketches, stitches, and negotiations: Unravelling Indonesia’s national history through its visual representations]"''. Since then, this research has continued to develop until now, with [https://hyphen.web.id/index.php/Rachel_K._Surijata Rachel] and [https://hyphen.web.id/index.php/Pitra_Hutomo Pitra] joining along the way.		This trajectory began when [https://hyphen.web.id/index.php/Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D Chita], [https://hyphen.web.id/index.php/Grace_Samboh Grace], and [https://hyphen.web.id/index.php/Ratna_Mufida Ratna] were unpacking and reorganising the archives of sculptor Edhi Sunarso (1932–2016) at Griya Seni Hj. Kustiyah Edhi Sunarso (Kustiyah Edhi Sunarso Art House) in 2016. Edhi Sunarso was Kustiyah’s husband, who is also discussed in our research trajectory ''[https://hyphen.web.id/index.php/Sketches,_stitches,_and_negotiations:_Unravelling_Indonesia%E2%80%99s_national_history_through_its_visual_representations "Sketches, stitches, and negotiations: Unravelling Indonesia’s national history through its visual representations]"''. Since then, this research has continued to develop until now, with [https://hyphen.web.id/index.php/Rachel_K._Surijata Rachel] and [https://hyphen.web.id/index.php/Pitra_Hutomo Pitra] joining along the way.

	==[[Data catalogue]]==		==[[Kus, et al: Data catalogue\|Data catalogue]]==
	Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nunc porttitor mauris metus, vitae venenatis lacus gravida sit amet. Suspendisse cursus lectus eu leo varius, at auctor nibh imperdiet. Nunc consectetur metus eu venenatis commodo. Mauris molestie magna velit. Quisque malesuada, massa et maximus malesuada, mauris arcu ultricies purus, nec faucibus nunc sem tincidunt massa. Phasellus non rutrum arcu. Nam maximus risus libero, nec varius neque sollicitudin sit amet. Pellentesque suscipit, nibh nec luctus molestie, dui nunc gravida dolor, non condimentum elit ligula et turpis. Quisque ut ex convallis, congue urna egestas, ornare eros. Etiam feugiat nunc eu suscipit sagittis. Maecenas ullamcorper lacus nisi, in viverra urna pharetra et. Morbi accumsan auctor egestas. Quisque velit lectus, finibus a mauris et, dapibus auctor sapien.		Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nunc porttitor mauris metus, vitae venenatis lacus gravida sit amet. Suspendisse cursus lectus eu leo varius, at auctor nibh imperdiet. Nunc consectetur metus eu venenatis commodo. Mauris molestie magna velit. Quisque malesuada, massa et maximus malesuada, mauris arcu ultricies purus, nec faucibus nunc sem tincidunt massa. Phasellus non rutrum arcu. Nam maximus risus libero, nec varius neque sollicitudin sit amet. Pellentesque suscipit, nibh nec luctus molestie, dui nunc gravida dolor, non condimentum elit ligula et turpis. Quisque ut ex convallis, congue urna egestas, ornare eros. Etiam feugiat nunc eu suscipit sagittis. Maecenas ullamcorper lacus nisi, in viverra urna pharetra et. Morbi accumsan auctor egestas. Quisque velit lectus, finibus a mauris et, dapibus auctor sapien.

GraceSamboh at 07:27, 2 March 2026

2026-03-02T07:27:50Z

← Older revision		Revision as of 07:27, 2 March 2026
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	This trajectory began when [https://hyphen.web.id/index.php/Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D Chita], [https://hyphen.web.id/index.php/Grace_Samboh Grace], and [https://hyphen.web.id/index.php/Ratna_Mufida Ratna] were unpacking and reorganising the archives of sculptor Edhi Sunarso (1932–2016) at Griya Seni Hj. Kustiyah Edhi Sunarso (Kustiyah Edhi Sunarso Art House) in 2016. Edhi Sunarso was Kustiyah’s husband, who is also discussed in our research trajectory ''[https://hyphen.web.id/index.php/Sketches,_stitches,_and_negotiations:_Unravelling_Indonesia%E2%80%99s_national_history_through_its_visual_representations "Sketches, stitches, and negotiations: Unravelling Indonesia’s national history through its visual representations]"''. Since then, this research has continued to develop until now, with [https://hyphen.web.id/index.php/Rachel_K._Surijata Rachel] and [https://hyphen.web.id/index.php/Pitra_Hutomo Pitra] joining along the way.		This trajectory began when [https://hyphen.web.id/index.php/Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D Chita], [https://hyphen.web.id/index.php/Grace_Samboh Grace], and [https://hyphen.web.id/index.php/Ratna_Mufida Ratna] were unpacking and reorganising the archives of sculptor Edhi Sunarso (1932–2016) at Griya Seni Hj. Kustiyah Edhi Sunarso (Kustiyah Edhi Sunarso Art House) in 2016. Edhi Sunarso was Kustiyah’s husband, who is also discussed in our research trajectory ''[https://hyphen.web.id/index.php/Sketches,_stitches,_and_negotiations:_Unravelling_Indonesia%E2%80%99s_national_history_through_its_visual_representations "Sketches, stitches, and negotiations: Unravelling Indonesia’s national history through its visual representations]"''. Since then, this research has continued to develop until now, with [https://hyphen.web.id/index.php/Rachel_K._Surijata Rachel] and [https://hyphen.web.id/index.php/Pitra_Hutomo Pitra] joining along the way.

	==Data catalogue==		==[[Data catalogue]]==
			Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nunc porttitor mauris metus, vitae venenatis lacus gravida sit amet. Suspendisse cursus lectus eu leo varius, at auctor nibh imperdiet. Nunc consectetur metus eu venenatis commodo. Mauris molestie magna velit. Quisque malesuada, massa et maximus malesuada, mauris arcu ultricies purus, nec faucibus nunc sem tincidunt massa. Phasellus non rutrum arcu. Nam maximus risus libero, nec varius neque sollicitudin sit amet. Pellentesque suscipit, nibh nec luctus molestie, dui nunc gravida dolor, non condimentum elit ligula et turpis. Quisque ut ex convallis, congue urna egestas, ornare eros. Etiam feugiat nunc eu suscipit sagittis. Maecenas ullamcorper lacus nisi, in viverra urna pharetra et. Morbi accumsan auctor egestas. Quisque velit lectus, finibus a mauris et, dapibus auctor sapien.

	==Articulation and public encounters==		==Articulation and public encounters==

GraceSamboh at 07:26, 2 March 2026

2026-03-02T07:26:41Z

← Older revision		Revision as of 07:26, 2 March 2026
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	This trajectory began when [https://hyphen.web.id/index.php/Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D Chita], [https://hyphen.web.id/index.php/Grace_Samboh Grace], and [https://hyphen.web.id/index.php/Ratna_Mufida Ratna] were unpacking and reorganising the archives of sculptor Edhi Sunarso (1932–2016) at Griya Seni Hj. Kustiyah Edhi Sunarso (Kustiyah Edhi Sunarso Art House) in 2016. Edhi Sunarso was Kustiyah’s husband, who is also discussed in our research trajectory ''[https://hyphen.web.id/index.php/Sketches,_stitches,_and_negotiations:_Unravelling_Indonesia%E2%80%99s_national_history_through_its_visual_representations "Sketches, stitches, and negotiations: Unravelling Indonesia’s national history through its visual representations]"''. Since then, this research has continued to develop until now, with [https://hyphen.web.id/index.php/Rachel_K._Surijata Rachel] and [https://hyphen.web.id/index.php/Pitra_Hutomo Pitra] joining along the way.		This trajectory began when [https://hyphen.web.id/index.php/Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D Chita], [https://hyphen.web.id/index.php/Grace_Samboh Grace], and [https://hyphen.web.id/index.php/Ratna_Mufida Ratna] were unpacking and reorganising the archives of sculptor Edhi Sunarso (1932–2016) at Griya Seni Hj. Kustiyah Edhi Sunarso (Kustiyah Edhi Sunarso Art House) in 2016. Edhi Sunarso was Kustiyah’s husband, who is also discussed in our research trajectory ''[https://hyphen.web.id/index.php/Sketches,_stitches,_and_negotiations:_Unravelling_Indonesia%E2%80%99s_national_history_through_its_visual_representations "Sketches, stitches, and negotiations: Unravelling Indonesia’s national history through its visual representations]"''. Since then, this research has continued to develop until now, with [https://hyphen.web.id/index.php/Rachel_K._Surijata Rachel] and [https://hyphen.web.id/index.php/Pitra_Hutomo Pitra] joining along the way.

			==Data catalogue==

	==Articulation and public encounters==		==Articulation and public encounters==

R Intan: /* About the research */

2025-11-08T08:27:53Z

About the research

← Older revision		Revision as of 08:27, 8 November 2025
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	revolutionary-spirited groups. With that as a background, we wonder, … Why aren’t their names written in the so-called art history? Did they have to be saying the same things, writing the same things, painting the same things to be recognized, to be written, to simply be included? Is this diversity —of perspectives, of art practices— so unfavorable? Have there been any attempts in writing their life stories? Had they been so insignificant, why would the different state-collections have their works? What was the necessity of collecting their works?		revolutionary-spirited groups. With that as a background, we wonder, … Why aren’t their names written in the so-called art history? Did they have to be saying the same things, writing the same things, painting the same things to be recognized, to be written, to simply be included? Is this diversity —of perspectives, of art practices— so unfavorable? Have there been any attempts in writing their life stories? Had they been so insignificant, why would the different state-collections have their works? What was the necessity of collecting their works?

	~~===How it begin===~~
	How is it possible that there are more than 40 works of Kustiyah were found at ''Griya Seni Hj. Kustiyah Edhi Sunarso'' (Kustiyah Edhi Sunarso Art House) and yet we have never even read anything about her? Why are we familiar with the practice of her peers that painted her? Why didn’t these sources speak about the painting model who also happened to be a painter? Was this intentional, or was this an example of imprudent historical writing? How can we read Kustiyah’s practice today? Where can we position her multiple roles, practices and how they’re entangled? These questions won’t stop and that's where the curiosity lead us to trace Kustiyah’s body of work.		How is it possible that there are more than 40 works of Kustiyah were found at ''Griya Seni Hj. Kustiyah Edhi Sunarso'' (Kustiyah Edhi Sunarso Art House) and yet we have never even read anything about her? Why are we familiar with the practice of her peers that painted her? Why didn’t these sources speak about the painting model who also happened to be a painter? Was this intentional, or was this an example of imprudent historical writing? How can we read Kustiyah’s practice today? Where can we position her multiple roles, practices and how they’re entangled? These questions won’t stop and that's where the curiosity lead us to trace Kustiyah’s body of work.

R Intan: /* Publication */

2025-11-08T08:26:25Z

Publication

← Older revision		Revision as of 08:26, 8 November 2025
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	==Publication==		==Publication==
	*2023 '''[CATALOGUE]''' ''As if there is no sun'', Ninus Andarnuswarni (eds.), published by Hyphen— (Akmalia Rizqita "Chita', Grace Samboh, Ratna Mufida), 100 pp., color, illus., ISBN 978-623-96401-4-9. Downloadable [https://drive.google.com/file/d/1saQa_CFAB7oNl2XzIb6wxDQRjQQkE-31/view?usp=sharing here].		*2023 '''[CATALOGUE]''' ''As if there is no sun'', Ninus Andarnuswarni (eds.), published by Hyphen— (Akmalia Rizqita "Chita", Grace Samboh, Ratna Mufida), 100 pp., color, illus., ISBN 978-623-96401-4-9. Downloadable [https://drive.google.com/file/d/1saQa_CFAB7oNl2XzIb6wxDQRjQQkE-31/view?usp=sharing here].

	==[[Tracing women artists in Indonesia (1940-1970)]]==		==[[Tracing women artists in Indonesia (1940-1970)]]==
	This is an ongoing '''annotated bibliography''' that RUAS began to develop in 2022. The earliest version of it was included in the presentation ''As if there is no sun'' at the 58th Carnegie International. Let's develop this together!		This is an ongoing '''annotated bibliography''' that RUAS began to develop in 2022. The earliest version of it was included in the presentation ''As if there is no sun'' at the 58th Carnegie International. Let's develop this together!

R Intan: /* Articulation and public encounters */

2025-11-07T07:46:26Z

Articulation and public encounters

← Older revision		Revision as of 07:46, 7 November 2025
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	*2023 ['''WORKSHOP'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Ratna Mufida, Rachel K. Surijata) "''Alkisah...''" (Once upon a time...). ARTJOG MMXXIII at Jogja National Museum, July 1-August 27, 2023. See more [https://hyphen.web.id/index.php/Once_upon_a_time... here];		*2023 ['''WORKSHOP'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Ratna Mufida, Rachel K. Surijata) "''Alkisah...''" (Once upon a time...). ARTJOG MMXXIII at Jogja National Museum, July 1-August 27, 2023. See more [https://hyphen.web.id/index.php/Once_upon_a_time... here];
	*2023 ['''TALK'''] Grace Samboh in [https://awarewomenartists.com/en/reseaux/the-flow-of-history-southeast-asian-women-artists/ The Flow of History: Southeast Asian Women Artists], held at [https://aaa.org.hk/en/programmes/programmes/the-flow-of-history-southeast-asian-women-artists Asia Art Archive], Hongkong, September 23, 2023;		*2023 ['''TALK'''] Grace Samboh in [https://awarewomenartists.com/en/reseaux/the-flow-of-history-southeast-asian-women-artists/ The Flow of History: Southeast Asian Women Artists], held at [https://aaa.org.hk/en/programmes/programmes/the-flow-of-history-southeast-asian-women-artists Asia Art Archive], Hongkong, September 23, 2023;
	*2023 ['''EXHIBITION'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Pitra Hutomo, Ratna Mufida, Rachel K. Surijata) ''“Seakan-akan tidak ada matahari”'' ([[As if there is no sun]]). Part of ''Jejaring, rimpang'' in Pekan Kebudayaan Nasional (National Cultural Week) at National Gallery of Indonesia, Jakarta, 20 October – 19 November 2023.		*2023 ['''EXHIBITION'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Pitra Hutomo, Ratna Mufida, Rachel K. Surijata) ''“Seakan-akan tidak ada matahari”'' (As if there is no sun). Part of ''Jejaring, rimpang'' in Pekan Kebudayaan Nasional (National Cultural Week) at National Gallery of Indonesia, Jakarta, 20 October – 19 November 2023. See more [https://hyphen.web.id/index.php/As_if_there_is_no_sun here].

	==Publication==		==Publication==

R Intan: /* Articulation and public encounters */

2025-11-07T07:43:44Z

Articulation and public encounters

← Older revision		Revision as of 07:43, 7 November 2025
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	*2022 ['''EXHIBITION'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Ratna Mufida). “[https://carnegieart.org/people/hyphen/ As if there is no sun]” as part of 58th Carnegie International: Is it morning for you yet?, curated by Sohrab Mohebbi and associate curator Ryan Inouye with curatorial assistant Talia Heiman at the Carnegie Museum of Art, Pittsburgh, Pennsylvania, September 24, 2022–April 2, 2023;		*2022 ['''EXHIBITION'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Ratna Mufida). “[https://carnegieart.org/people/hyphen/ As if there is no sun]” as part of 58th Carnegie International: Is it morning for you yet?, curated by Sohrab Mohebbi and associate curator Ryan Inouye with curatorial assistant Talia Heiman at the Carnegie Museum of Art, Pittsburgh, Pennsylvania, September 24, 2022–April 2, 2023;
	*2022 ['''TALK'''] Grace Samboh, “Mistrusting history, pursuing ‘what if'” as part of the workshop [https://www.goethe.de/ins/id/en/ver.cfm?event_id=24271315 Curatorial Currents from the Southeast], held at Galeri Soemardja, Institut Teknologi Bandung, 10-17 November;		*2022 ['''TALK'''] Grace Samboh, “Mistrusting history, pursuing ‘what if'” as part of the workshop [https://www.goethe.de/ins/id/en/ver.cfm?event_id=24271315 Curatorial Currents from the Southeast], held at Galeri Soemardja, Institut Teknologi Bandung, 10-17 November;
	*2023 ['''EXHIBITION'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Ratna Mufida, Rachel K. Surijata) ''“Di belakang kanvas”'' ([[At the back of the canvas]]). ARTJOG MMXXIII at Jogja National Museum, 30 June–27 August;		*2023 ['''EXHIBITION'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Ratna Mufida, Rachel K. Surijata) ''“Di belakang kanvas”'' (At the back of the canvas). ARTJOG MMXXIII at Jogja National Museum, 30 June–27 August. See more [https://hyphen.web.id/index.php/At_the_back_of_the_canvas here];
	*2023 ['''WORKSHOP'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Ratna Mufida, Rachel K. Surijata) "''Alkisah...''" ([[Once upon a time...]]). ARTJOG MMXXIII at Jogja National Museum, July 1-August 27, 2023;		*2023 ['''WORKSHOP'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Ratna Mufida, Rachel K. Surijata) "''Alkisah...''" (Once upon a time...). ARTJOG MMXXIII at Jogja National Museum, July 1-August 27, 2023. See more [https://hyphen.web.id/index.php/Once_upon_a_time... here];
	*2023 ['''TALK'''] Grace Samboh in [https://awarewomenartists.com/en/reseaux/the-flow-of-history-southeast-asian-women-artists/ The Flow of History: Southeast Asian Women Artists], held at [https://aaa.org.hk/en/programmes/programmes/the-flow-of-history-southeast-asian-women-artists Asia Art Archive], Hongkong, September 23, 2023;		*2023 ['''TALK'''] Grace Samboh in [https://awarewomenartists.com/en/reseaux/the-flow-of-history-southeast-asian-women-artists/ The Flow of History: Southeast Asian Women Artists], held at [https://aaa.org.hk/en/programmes/programmes/the-flow-of-history-southeast-asian-women-artists Asia Art Archive], Hongkong, September 23, 2023;
	*2023 ['''EXHIBITION'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Pitra Hutomo, Ratna Mufida, Rachel K. Surijata) ''“Seakan-akan tidak ada matahari”'' ([[As if there is no sun]]). Part of ''Jejaring, rimpang'' in Pekan Kebudayaan Nasional (National Cultural Week) at National Gallery of Indonesia, Jakarta, 20 October – 19 November 2023.		*2023 ['''EXHIBITION'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Pitra Hutomo, Ratna Mufida, Rachel K. Surijata) ''“Seakan-akan tidak ada matahari”'' ([[As if there is no sun]]). Part of ''Jejaring, rimpang'' in Pekan Kebudayaan Nasional (National Cultural Week) at National Gallery of Indonesia, Jakarta, 20 October – 19 November 2023.

R Intan: /* Publication */

2025-10-29T12:25:31Z

Publication

← Older revision		Revision as of 12:25, 29 October 2025
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	==Publication==		==Publication==
	~~Lorem ipsum~~		*2023 '''[CATALOGUE]''' ''As if there is no sun'', Ninus Andarnuswarni (eds.), published by Hyphen— (Akmalia Rizqita "Chita', Grace Samboh, Ratna Mufida), 100 pp., color, illus., ISBN 978-623-96401-4-9. Downloadable [https://drive.google.com/file/d/1saQa_CFAB7oNl2XzIb6wxDQRjQQkE-31/view?usp=sharing here].

	==[[Tracing women artists in Indonesia (1940-1970)]]==		==[[Tracing women artists in Indonesia (1940-1970)]]==
	This is an ongoing '''annotated bibliography''' that RUAS began to develop in 2022. The earliest version of it was included in the presentation ''As if there is no sun'' at the 58th Carnegie International. Let's develop this together!		This is an ongoing '''annotated bibliography''' that RUAS began to develop in 2022. The earliest version of it was included in the presentation ''As if there is no sun'' at the 58th Carnegie International. Let's develop this together!

R Intan: /* Articulation and public encounters */

2025-10-29T10:42:38Z

Articulation and public encounters

← Older revision		Revision as of 10:42, 29 October 2025
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	*2023 ['''WORKSHOP'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Ratna Mufida, Rachel K. Surijata) "''Alkisah...''" ([[Once upon a time...]]). ARTJOG MMXXIII at Jogja National Museum, July 1-August 27, 2023;		*2023 ['''WORKSHOP'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Ratna Mufida, Rachel K. Surijata) "''Alkisah...''" ([[Once upon a time...]]). ARTJOG MMXXIII at Jogja National Museum, July 1-August 27, 2023;
	*2023 ['''TALK'''] Grace Samboh in [https://awarewomenartists.com/en/reseaux/the-flow-of-history-southeast-asian-women-artists/ The Flow of History: Southeast Asian Women Artists], held at [https://aaa.org.hk/en/programmes/programmes/the-flow-of-history-southeast-asian-women-artists Asia Art Archive], Hongkong, September 23, 2023;		*2023 ['''TALK'''] Grace Samboh in [https://awarewomenartists.com/en/reseaux/the-flow-of-history-southeast-asian-women-artists/ The Flow of History: Southeast Asian Women Artists], held at [https://aaa.org.hk/en/programmes/programmes/the-flow-of-history-southeast-asian-women-artists Asia Art Archive], Hongkong, September 23, 2023;
	*2023 ['''EXHIBITION'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Pitra Hutomo, Ratna Mufida, Rachel K. Surijata) ''“Seakan-akan tidak ada matahari”'' (As if there is no sun). Part of ''Jejaring, rimpang'' in Pekan Kebudayaan Nasional (National Cultural Week) at National Gallery of Indonesia, Jakarta, 20 October – 19 November 2023.		*2023 ['''EXHIBITION'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Pitra Hutomo, Ratna Mufida, Rachel K. Surijata) ''“Seakan-akan tidak ada matahari”'' ([[As if there is no sun]]). Part of ''Jejaring, rimpang'' in Pekan Kebudayaan Nasional (National Cultural Week) at National Gallery of Indonesia, Jakarta, 20 October – 19 November 2023.

	==Publication==		==Publication==

R Intan: /* Articulation and public encounters */

2025-10-29T10:09:25Z

Articulation and public encounters

← Older revision		Revision as of 10:09, 29 October 2025
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	*2022 ['''TALK'''] Grace Samboh, “Mistrusting history, pursuing ‘what if'” as part of the workshop [https://www.goethe.de/ins/id/en/ver.cfm?event_id=24271315 Curatorial Currents from the Southeast], held at Galeri Soemardja, Institut Teknologi Bandung, 10-17 November;		*2022 ['''TALK'''] Grace Samboh, “Mistrusting history, pursuing ‘what if'” as part of the workshop [https://www.goethe.de/ins/id/en/ver.cfm?event_id=24271315 Curatorial Currents from the Southeast], held at Galeri Soemardja, Institut Teknologi Bandung, 10-17 November;
	*2023 ['''EXHIBITION'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Ratna Mufida, Rachel K. Surijata) ''“Di belakang kanvas”'' ([[At the back of the canvas]]). ARTJOG MMXXIII at Jogja National Museum, 30 June–27 August;		*2023 ['''EXHIBITION'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Ratna Mufida, Rachel K. Surijata) ''“Di belakang kanvas”'' ([[At the back of the canvas]]). ARTJOG MMXXIII at Jogja National Museum, 30 June–27 August;
	*2023 ['''WORKSHOP'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Ratna Mufida, Rachel K. Surijata) "''Alkisah...''" (Once upon a time...). ARTJOG MMXXIII at Jogja National Museum, July 1-August 27, 2023;		*2023 ['''WORKSHOP'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Ratna Mufida, Rachel K. Surijata) "''Alkisah...''" ([[Once upon a time...]]). ARTJOG MMXXIII at Jogja National Museum, July 1-August 27, 2023;
	*2023 ['''TALK'''] Grace Samboh in [https://awarewomenartists.com/en/reseaux/the-flow-of-history-southeast-asian-women-artists/ The Flow of History: Southeast Asian Women Artists], held at [https://aaa.org.hk/en/programmes/programmes/the-flow-of-history-southeast-asian-women-artists Asia Art Archive], Hongkong, September 23, 2023;		*2023 ['''TALK'''] Grace Samboh in [https://awarewomenartists.com/en/reseaux/the-flow-of-history-southeast-asian-women-artists/ The Flow of History: Southeast Asian Women Artists], held at [https://aaa.org.hk/en/programmes/programmes/the-flow-of-history-southeast-asian-women-artists Asia Art Archive], Hongkong, September 23, 2023;
	*2023 ['''EXHIBITION'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Pitra Hutomo, Ratna Mufida, Rachel K. Surijata) ''“Seakan-akan tidak ada matahari”'' (As if there is no sun). Part of ''Jejaring, rimpang'' in Pekan Kebudayaan Nasional (National Cultural Week) at National Gallery of Indonesia, Jakarta, 20 October – 19 November 2023.		*2023 ['''EXHIBITION'''] Hyphen— (Akmalia Rizqita “Chita”, Grace Samboh, Pitra Hutomo, Ratna Mufida, Rachel K. Surijata) ''“Seakan-akan tidak ada matahari”'' (As if there is no sun). Part of ''Jejaring, rimpang'' in Pekan Kebudayaan Nasional (National Cultural Week) at National Gallery of Indonesia, Jakarta, 20 October – 19 November 2023.