Figures, dedications, and civilisations - Revision history

Wikihyphen: Wikihyphen moved page Tokoh-tokoh, pengabdian, dan peradaban to Figures, dedications, and civilisations over redirect

2026-07-21T09:08:33Z

Wikihyphen moved page Tokoh-tokoh, pengabdian, dan peradaban to Figures, dedications, and civilisations over redirect

← Older revision	Revision as of 09:08, 21 July 2026
(No difference)

Wikihyphen at 09:08, 21 July 2026

2026-07-21T09:08:12Z

← Older revision		Revision as of 09:08, 21 July 2026
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	''Tokoh-tokoh, pengabdian, dan peradaban'' (Figures, dedications, and civilisations) is an exhibition that emerges from the conservation of historical dioramas at the National History Museum, National Monument (Monas), Jakarta. Beginning with diorama no. 44, “Liberation of West Irian, 1 May 1963”, the project brings together artworks, archives, conversations, and conservation practices to explore how national history is represented, remembered, and inherited. Presented in conjunction with [https://www.singaporeartmuseum.sg/art-events/exhibitions/singapore-biennale-2025 Singapore Biennale 2026: ''pure intention''], the exhibition takes place across four venues: t[https://www.singaporeartmuseum.sg/ he Singapore Art Museum], [https://rubanahundergroundhub.art/2026/01/06/tokoh-tokoh-pengabdian-dan-peradaban/ RUBANAH Underground Hub], [https://www.instagram.com/p/DQMPGzCEj-0/?igsh=MXYxdGNpMWg3b2kxYw== RUCI Art Space], and [https://www.instagram.com/kus.griyaseni?igsh=MW13OGRjN3Nld3F0Nw== Griya Seni Hj. Kustiyah Edhi Sunarso]. It approaches the diorama not merely as a representation of a past event, but as a space where historical narratives, political interests, artistic interpretations, and collective memories continue to intertwine.		''Tokoh-tokoh, pengabdian, dan peradaban'' (Figures, dedications, and civilisations) is an exhibition that emerges from the conservation of historical dioramas at the National History Museum, National Monument (Monas), Jakarta. Beginning with diorama no. 44, “Liberation of West Irian, 1 May 1963”, the project brings together artworks, archives, conversations, and conservation practices to explore how national history is represented, remembered, and inherited. Presented in conjunction with [https://www.singaporeartmuseum.sg/art-events/exhibitions/singapore-biennale-2025 Singapore Biennale 2026: ''pure intention''], the exhibition takes place across four venues: t[https://www.singaporeartmuseum.sg/ he Singapore Art Museum], [https://rubanahundergroundhub.art/2026/01/06/tokoh-tokoh-pengabdian-dan-peradaban/ RUBANAH Underground Hub], [https://www.instagram.com/p/DQMPGzCEj-0/?igsh=MXYxdGNpMWg3b2kxYw== RUCI Art Space], and [https://www.instagram.com/kus.griyaseni?igsh=MW13OGRjN3Nld3F0Nw== Griya Seni Hj. Kustiyah Edhi Sunarso]. It approaches the diorama not merely as a representation of a past event, but as a space where historical narratives, political interests, artistic interpretations, and collective memories continue to intertwine.

Wikihyphen: Wikihyphen moved page Figures, dedications, and civilisations to Tokoh-tokoh, pengabdian, dan peradaban

2026-07-21T09:05:49Z

Wikihyphen moved page Figures, dedications, and civilisations to Tokoh-tokoh, pengabdian, dan peradaban

← Older revision	Revision as of 09:05, 21 July 2026
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Wikihyphen at 09:05, 21 July 2026

2026-07-21T09:05:22Z

← Older revision		Revision as of 09:05, 21 July 2026
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	~~[[File:~~Tokoh - ~~cover.jpg\|thumb]]~~		''Tokoh-tokoh, pengabdian, dan peradaban'' (Figures, dedications, and civilisations) is an exhibition that emerges from the conservation of historical dioramas at the National History Museum, National Monument (Monas), Jakarta. Beginning with diorama no. 44, “Liberation of West Irian, 1 May 1963”, the project brings together artworks, archives, conversations, and conservation practices to explore how national history is represented, remembered, and inherited. Presented in conjunction with [https://www.singaporeartmuseum.sg/art-events/exhibitions/singapore-biennale-2025 Singapore Biennale 2026: ''pure intention''], the exhibition takes place across four venues: t[https://www.singaporeartmuseum.sg/ he Singapore Art Museum], [https://rubanahundergroundhub.art/2026/01/06/tokoh-tokoh-pengabdian-dan-peradaban/ RUBANAH Underground Hub], [https://www.instagram.com/p/DQMPGzCEj-0/?igsh=MXYxdGNpMWg3b2kxYw== RUCI Art Space], and [https://www.instagram.com/kus.griyaseni?igsh=MW13OGRjN3Nld3F0Nw== Griya Seni Hj. Kustiyah Edhi Sunarso]. It approaches the diorama not merely as a representation of a past event, but as a space where historical narratives, political interests, artistic interpretations, and collective memories continue to intertwine.
	''Figures, dedications, and civilisations'' is an exhibition that emerges from the conservation of historical dioramas at the National History Museum, National Monument (Monas), Jakarta. Beginning with diorama no. 44, “Liberation of West Irian, 1 May 1963”, the project brings together artworks, archives, conversations, and conservation practices to explore how national history is represented, remembered, and inherited. Presented in conjunction with [https://www.singaporeartmuseum.sg/art-events/exhibitions/singapore-biennale-2025 Singapore Biennale 2026: ''pure intention''], the exhibition takes place across four venues: t[https://www.singaporeartmuseum.sg/ he Singapore Art Museum], [https://rubanahundergroundhub.art/2026/01/06/tokoh-tokoh-pengabdian-dan-peradaban/ RUBANAH Underground Hub], [https://www.instagram.com/p/DQMPGzCEj-0/?igsh=MXYxdGNpMWg3b2kxYw== RUCI Art Space], and [https://www.instagram.com/kus.griyaseni?igsh=MW13OGRjN3Nld3F0Nw== Griya Seni Hj. Kustiyah Edhi Sunarso]. It approaches the diorama not merely as a representation of a past event, but as a space where historical narratives, political interests, artistic interpretations, and collective memories continue to intertwine.

	This exhibition is part of [[Project:About\|Perkumpulan Tanda Hubung Indonesia (Hyphen—)]]’s project titled ''[[When the flood is over]]''. Through the practices of copying, repairing, and studying the figures that inhabit the dioramas, we return to questions of presence and absence: who is made visible, who is erased, how certain events become monumental, and how others are excluded from official narratives. Moving between archives, monuments, exhibition spaces, and workshops, Figures, dedications, and civilizations traces the entanglements between historical representation, extraction, nation-building, and civic participation. Rather than seeking definitive answers, the project approaches history as something unfinished—continuously negotiated through objects, images, gestures, conversations, and the labour of those who inherit its traces.		This exhibition is part of [[Project:About\|Perkumpulan Tanda Hubung Indonesia (Hyphen—)]]’s project titled ''[[When the flood is over]]''. Through the practices of copying, repairing, and studying the figures that inhabit the dioramas, we return to questions of presence and absence: who is made visible, who is erased, how certain events become monumental, and how others are excluded from official narratives. Moving between archives, monuments, exhibition spaces, and workshops, Figures, dedications, and civilizations traces the entanglements between historical representation, extraction, nation-building, and civic participation. Rather than seeking definitive answers, the project approaches history as something unfinished—continuously negotiated through objects, images, gestures, conversations, and the labour of those who inherit its traces.

Wikihyphen: Wikihyphen moved page Figures, dedications, and civilizations to Figures, dedications, and civilisations

2026-07-21T08:55:21Z

Wikihyphen moved page Figures, dedications, and civilizations to Figures, dedications, and civilisations

← Older revision	Revision as of 08:55, 21 July 2026
(No difference)

Andri Setiawan at 08:07, 21 July 2026

2026-07-21T08:07:41Z

← Older revision		Revision as of 08:07, 21 July 2026
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			[[File:Tokoh - cover.jpg\|thumb]]
	''Figures, dedications, and civilisations'' is an exhibition that emerges from the conservation of historical dioramas at the National History Museum, National Monument (Monas), Jakarta. Beginning with diorama no. 44, “Liberation of West Irian, 1 May 1963”, the project brings together artworks, archives, conversations, and conservation practices to explore how national history is represented, remembered, and inherited. Presented in conjunction with [https://www.singaporeartmuseum.sg/art-events/exhibitions/singapore-biennale-2025 Singapore Biennale 2026: ''pure intention''], the exhibition takes place across four venues: t[https://www.singaporeartmuseum.sg/ he Singapore Art Museum], [https://rubanahundergroundhub.art/2026/01/06/tokoh-tokoh-pengabdian-dan-peradaban/ RUBANAH Underground Hub], [https://www.instagram.com/p/DQMPGzCEj-0/?igsh=MXYxdGNpMWg3b2kxYw== RUCI Art Space], and [https://www.instagram.com/kus.griyaseni?igsh=MW13OGRjN3Nld3F0Nw== Griya Seni Hj. Kustiyah Edhi Sunarso]. It approaches the diorama not merely as a representation of a past event, but as a space where historical narratives, political interests, artistic interpretations, and collective memories continue to intertwine.		''Figures, dedications, and civilisations'' is an exhibition that emerges from the conservation of historical dioramas at the National History Museum, National Monument (Monas), Jakarta. Beginning with diorama no. 44, “Liberation of West Irian, 1 May 1963”, the project brings together artworks, archives, conversations, and conservation practices to explore how national history is represented, remembered, and inherited. Presented in conjunction with [https://www.singaporeartmuseum.sg/art-events/exhibitions/singapore-biennale-2025 Singapore Biennale 2026: ''pure intention''], the exhibition takes place across four venues: t[https://www.singaporeartmuseum.sg/ he Singapore Art Museum], [https://rubanahundergroundhub.art/2026/01/06/tokoh-tokoh-pengabdian-dan-peradaban/ RUBANAH Underground Hub], [https://www.instagram.com/p/DQMPGzCEj-0/?igsh=MXYxdGNpMWg3b2kxYw== RUCI Art Space], and [https://www.instagram.com/kus.griyaseni?igsh=MW13OGRjN3Nld3F0Nw== Griya Seni Hj. Kustiyah Edhi Sunarso]. It approaches the diorama not merely as a representation of a past event, but as a space where historical narratives, political interests, artistic interpretations, and collective memories continue to intertwine.

Andri Setiawan: Created page with "''Figures, dedications, and civilisations'' is an exhibition that emerges from the conservation of historical dioramas at the National History Museum, National Monument (Monas), Jakarta. Beginning with diorama no. 44, “Liberation of West Irian, 1 May 1963”, the project brings together artworks, archives, conversations, and conservation practices to explore how national history is represented, remembered, and inherited. Presented in conjunction with [https://www.singa..."

2026-07-21T07:59:50Z

Created page with "''Figures, dedications, and civilisations'' is an exhibition that emerges from the conservation of historical dioramas at the National History Museum, National Monument (Monas), Jakarta. Beginning with diorama no. 44, “Liberation of West Irian, 1 May 1963”, the project brings together artworks, archives, conversations, and conservation practices to explore how national history is represented, remembered, and inherited. Presented in conjunction with [https://www.singa..."

New page

''Figures, dedications, and civilisations'' is an exhibition that emerges from the conservation of historical dioramas at the National History Museum, National Monument (Monas), Jakarta. Beginning with diorama no. 44, “Liberation of West Irian, 1 May 1963”, the project brings together artworks, archives, conversations, and conservation practices to explore how national history is represented, remembered, and inherited. Presented in conjunction with [https://www.singaporeartmuseum.sg/art-events/exhibitions/singapore-biennale-2025 Singapore Biennale 2026: ''pure intention''], the exhibition takes place across four venues: t[https://www.singaporeartmuseum.sg/ he Singapore Art Museum], [https://rubanahundergroundhub.art/2026/01/06/tokoh-tokoh-pengabdian-dan-peradaban/ RUBANAH Underground Hub], [https://www.instagram.com/p/DQMPGzCEj-0/?igsh=MXYxdGNpMWg3b2kxYw== RUCI Art Space], and [https://www.instagram.com/kus.griyaseni?igsh=MW13OGRjN3Nld3F0Nw== Griya Seni Hj. Kustiyah Edhi Sunarso]. It approaches the diorama not merely as a representation of a past event, but as a space where historical narratives, political interests, artistic interpretations, and collective memories continue to intertwine.

This exhibition is part of [[Project:About|Perkumpulan Tanda Hubung Indonesia (Hyphen—)]]’s project titled ''[[When the flood is over]]''. Through the practices of copying, repairing, and studying the figures that inhabit the dioramas, we return to questions of presence and absence: who is made visible, who is erased, how certain events become monumental, and how others are excluded from official narratives. Moving between archives, monuments, exhibition spaces, and workshops, Figures, dedications, and civilizations traces the entanglements between historical representation, extraction, nation-building, and civic participation. Rather than seeking definitive answers, the project approaches history as something unfinished—continuously negotiated through objects, images, gestures, conversations, and the labour of those who inherit its traces.

== Research, curatorial, and book team ==
Editor [[Project:About|Perkumpulan Tanda Hubung Indonesia (Hyphen—)]]

Writers [[Akmalia Rizqita “Chita”|Akmalia Rizqita "Chita"]], [[Andri Setiawan]], [[Grace Samboh]], [[Ratna Mufida]]

Designer M. Ilham Samudra

== Published by Perkumpulan Tanda Hubung Indonesia (Hyphen—) ==
in conjunction with

===== Figures, dedications, and civilisations =====
- Singapore Art Museum (as part of Singapore Biennale 2026: pure intention)

October 31, 2025–March 29, 2026

- RUBANAH Underground Hub

October 25 –December 17, 2025

- RUCI Art Space

October 25 –December 17, 2025

- Griya Seni Hj. Kustiyah Edhi Sunarso

September 22, 2025–April 22, 2026