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	<id>https://hyphen.web.id/index.php?action=history&amp;feed=atom&amp;title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D</id>
	<title>Akmalia Rizqita “Chita” - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://hyphen.web.id/index.php?action=history&amp;feed=atom&amp;title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D"/>
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	<updated>2026-04-17T10:18:35Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.39.11</generator>
	<entry>
		<id>https://hyphen.web.id/index.php?title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D&amp;diff=985&amp;oldid=prev</id>
		<title>R Intan at 11:39, 6 February 2026</title>
		<link rel="alternate" type="text/html" href="https://hyphen.web.id/index.php?title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D&amp;diff=985&amp;oldid=prev"/>
		<updated>2026-02-06T11:39:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:39, 6 February 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Akmalia Rizqita &quot;Chita&quot;.jpg|left|thumb|500x500px]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;AKMALIA RIZQITA&amp;#039;&amp;#039;&amp;#039; (b. 1996, Jakarta) or better known as ‘Chita’, treats her everyday work in organizing, writing, interpreting, and interlocuting in the arts as a conscious stance, while working toward better rights and working conditions for herself and her peers. She was gallery manager at RUBANAH Underground Hub (2018–2023), a member of the curatorial team of “Jakarta Biennale 2021: ESOK”, and currently pursues her curiosity with the research group Hyphen—.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;AKMALIA RIZQITA&amp;#039;&amp;#039;&amp;#039; (b. 1996, Jakarta) or better known as ‘Chita’, treats her everyday work in organizing, writing, interpreting, and interlocuting in the arts as a conscious stance, while working toward better rights and working conditions for herself and her peers. She was gallery manager at RUBANAH Underground Hub (2018–2023), a member of the curatorial team of “Jakarta Biennale 2021: ESOK”, and currently pursues her curiosity with the research group Hyphen—.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>R Intan</name></author>
	</entry>
	<entry>
		<id>https://hyphen.web.id/index.php?title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D&amp;diff=713&amp;oldid=prev</id>
		<title>Wikihyphen at 08:09, 6 August 2025</title>
		<link rel="alternate" type="text/html" href="https://hyphen.web.id/index.php?title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D&amp;diff=713&amp;oldid=prev"/>
		<updated>2025-08-06T08:09:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:09, 6 August 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among her ongoing research projects with Hyphen— are “Proses adalah ketika kita” (Process is when we.), towards Danarto’s biographical publication with Danarto dkk and Hyphen—, which one of its iteration was exhibited in the 17th Istanbul Biennale, and “As if there is no sun”, towards a biography and retrospective of Kustiyah alongside Sriyani, Kartika, and Siti Ruliyati, which was presented at the 58th Carnegie International, Carnegie Museum of Art, Pittsburgh.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among her ongoing research projects with Hyphen— are “Proses adalah ketika kita” (Process is when we.), towards Danarto’s biographical publication with Danarto dkk and Hyphen—, which one of its iteration was exhibited in the 17th Istanbul Biennale, and “As if there is no sun”, towards a biography and retrospective of Kustiyah alongside Sriyani, Kartika, and Siti Ruliyati, which was presented at the 58th Carnegie International, Carnegie Museum of Art, Pittsburgh.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In a different vein, she draws comics under the pen name &amp;#039;&amp;#039;&amp;#039;chitarum&amp;#039;&amp;#039;&amp;#039;, a practice that complements her day to day life as an art worker through personal reflection and visual storytelling.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In a different vein, she draws comics under the pen name &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://www.instagram.com/chitarum &lt;/ins&gt;&amp;#039;&amp;#039;&amp;#039;chitarum&amp;#039;&amp;#039;&amp;#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;, a practice that complements her day to day life as an art worker through personal reflection and visual storytelling.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wikihyphen</name></author>
	</entry>
	<entry>
		<id>https://hyphen.web.id/index.php?title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D&amp;diff=712&amp;oldid=prev</id>
		<title>Wikihyphen at 08:05, 6 August 2025</title>
		<link rel="alternate" type="text/html" href="https://hyphen.web.id/index.php?title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D&amp;diff=712&amp;oldid=prev"/>
		<updated>2025-08-06T08:05:20Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:05, 6 August 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among her ongoing research projects with Hyphen— are “Proses adalah ketika kita” (Process is when we.), towards Danarto’s biographical publication with Danarto dkk and Hyphen—, which one of its iteration was exhibited in the 17th Istanbul Biennale, and “As if there is no sun”, towards a biography and retrospective of Kustiyah alongside Sriyani, Kartika, and Siti Ruliyati, which was presented at the 58th Carnegie International, Carnegie Museum of Art, Pittsburgh.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among her ongoing research projects with Hyphen— are “Proses adalah ketika kita” (Process is when we.), towards Danarto’s biographical publication with Danarto dkk and Hyphen—, which one of its iteration was exhibited in the 17th Istanbul Biennale, and “As if there is no sun”, towards a biography and retrospective of Kustiyah alongside Sriyani, Kartika, and Siti Ruliyati, which was presented at the 58th Carnegie International, Carnegie Museum of Art, Pittsburgh.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In a different vein, she draws comics under the pen name &#039;&#039;&#039;chitarum&#039;&#039;&#039;, a practice that complements her day to day life as an art worker through personal reflection and visual storytelling.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wikihyphen</name></author>
	</entry>
	<entry>
		<id>https://hyphen.web.id/index.php?title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D&amp;diff=711&amp;oldid=prev</id>
		<title>Wikihyphen at 10:31, 4 August 2025</title>
		<link rel="alternate" type="text/html" href="https://hyphen.web.id/index.php?title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D&amp;diff=711&amp;oldid=prev"/>
		<updated>2025-08-04T10:31:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:31, 4 August 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;AKMALIA RIZQITA&amp;#039;&amp;#039;&amp;#039; (b. 1996, Jakarta) or better known as ‘Chita’, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;channels &lt;/del&gt;her &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;interests &lt;/del&gt;in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;art organization through &lt;/del&gt;working &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in art spaces &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;organizing various art programs&lt;/del&gt;. She &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;worked as a &lt;/del&gt;gallery manager at RUBANAH Underground Hub, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jakarta from 2018 to 2023, and was &lt;/del&gt;a member of the curatorial team of “Jakarta Biennale 2021: ESOK”&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Currently she explores &lt;/del&gt;her curiosity &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;about various visual forms &lt;/del&gt;with the research group Hyphen—.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;AKMALIA RIZQITA&amp;#039;&amp;#039;&amp;#039; (b. 1996, Jakarta) or better known as ‘Chita’, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;treats &lt;/ins&gt;her &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;everyday work &lt;/ins&gt;in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;organizing, writing, interpreting, and interlocuting in the arts as a conscious stance, while &lt;/ins&gt;working &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;toward better rights and working conditions for herself &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;her peers&lt;/ins&gt;. She &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was &lt;/ins&gt;gallery manager at RUBANAH Underground Hub &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(2018–2023)&lt;/ins&gt;, a member of the curatorial team of “Jakarta Biennale 2021: ESOK”&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, and currently pursues &lt;/ins&gt;her curiosity with the research group Hyphen—&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Among her ongoing research projects with Hyphen— are “Proses adalah ketika kita” (Process is when we.), towards Danarto’s biographical publication with Danarto dkk and Hyphen—, which one of its iteration was exhibited in the 17th Istanbul Biennale, and “As if there is no sun”, towards a biography and retrospective of Kustiyah alongside Sriyani, Kartika, and Siti Ruliyati, which was presented at the 58th Carnegie International, Carnegie Museum of Art, Pittsburgh&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wikihyphen</name></author>
	</entry>
	<entry>
		<id>https://hyphen.web.id/index.php?title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D&amp;diff=534&amp;oldid=prev</id>
		<title>R Intan at 16:18, 2 May 2025</title>
		<link rel="alternate" type="text/html" href="https://hyphen.web.id/index.php?title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D&amp;diff=534&amp;oldid=prev"/>
		<updated>2025-05-02T16:18:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:18, 2 May 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Akmalia_Rizqita|&lt;/del&gt;AKMALIA RIZQITA&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;(b. 1996, Jakarta) or better known as ‘Chita’, channels her interests in art organization through working in art spaces and organizing various art programs. She worked as a gallery manager at RUBANAH Underground Hub, Jakarta from 2018 to 2023, and was a member of the curatorial team of “Jakarta Biennale 2021: ESOK”. Currently she explores her curiosity about various visual forms with the research group Hyphen—.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&amp;#039;&lt;/ins&gt;AKMALIA RIZQITA&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&amp;#039; &lt;/ins&gt;(b. 1996, Jakarta) or better known as ‘Chita’, channels her interests in art organization through working in art spaces and organizing various art programs. She worked as a gallery manager at RUBANAH Underground Hub, Jakarta from 2018 to 2023, and was a member of the curatorial team of “Jakarta Biennale 2021: ESOK”. Currently she explores her curiosity about various visual forms with the research group Hyphen—.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>R Intan</name></author>
	</entry>
	<entry>
		<id>https://hyphen.web.id/index.php?title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D&amp;diff=504&amp;oldid=prev</id>
		<title>R Intan: /* Akmalia Rizqita &quot;Chita&quot; */</title>
		<link rel="alternate" type="text/html" href="https://hyphen.web.id/index.php?title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D&amp;diff=504&amp;oldid=prev"/>
		<updated>2025-05-02T07:19:54Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Akmalia Rizqita &amp;quot;Chita&amp;quot;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:19, 2 May 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;===&lt;/del&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Akmalia Rizqita &amp;quot;Chita&amp;quot;&lt;/del&gt;]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;===&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Akmalia_Rizqita|AKMALIA RIZQITA&lt;/ins&gt;]] (b. 1996, Jakarta) or better known as ‘Chita’, channels her interests in art organization through working in art spaces and organizing various art programs. She worked as a gallery manager at RUBANAH Underground Hub, Jakarta from 2018 to 2023, and was a member of the curatorial team of “Jakarta Biennale 2021: ESOK”. Currently she explores her curiosity about various visual forms with the research group Hyphen—.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;#039;&amp;#039;&amp;#039;Akmalia Rizqita&amp;#039;&amp;#039;&amp;#039; &lt;/del&gt;(b. 1996, Jakarta) or better known as ‘Chita’, channels her interests in art organization through working in art spaces and organizing various art programs. She worked as a gallery manager at RUBANAH Underground Hub, Jakarta from 2018 to 2023, and was a member of the curatorial team of “Jakarta Biennale 2021: ESOK”. Currently she explores her curiosity about various visual forms with the research group Hyphen—.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>R Intan</name></author>
	</entry>
	<entry>
		<id>https://hyphen.web.id/index.php?title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D&amp;diff=412&amp;oldid=prev</id>
		<title>R Intan: Created page with &quot;===Akmalia Rizqita &quot;Chita&quot;===  &#039;&#039;&#039;Akmalia Rizqita&#039;&#039;&#039; (b. 1996, Jakarta) or better known as ‘Chita’, channels her interests in art organization through working in art spaces and organizing various art programs. She worked as a gallery manager at RUBANAH Underground Hub, Jakarta from 2018 to 2023, and was a member of the curatorial team of “Jakarta Biennale 2021: ESOK”. Currently she explores her curiosity about various visual forms with the research group Hyph...&quot;</title>
		<link rel="alternate" type="text/html" href="https://hyphen.web.id/index.php?title=Akmalia_Rizqita_%E2%80%9CChita%E2%80%9D&amp;diff=412&amp;oldid=prev"/>
		<updated>2025-04-23T10:54:22Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;===&lt;a href=&quot;/index.php?title=Akmalia_Rizqita_%22Chita%22&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Akmalia Rizqita &amp;quot;Chita&amp;quot; (page does not exist)&quot;&gt;Akmalia Rizqita &amp;quot;Chita&amp;quot;&lt;/a&gt;===  &amp;#039;&amp;#039;&amp;#039;Akmalia Rizqita&amp;#039;&amp;#039;&amp;#039; (b. 1996, Jakarta) or better known as ‘Chita’, channels her interests in art organization through working in art spaces and organizing various art programs. She worked as a gallery manager at RUBANAH Underground Hub, Jakarta from 2018 to 2023, and was a member of the curatorial team of “Jakarta Biennale 2021: ESOK”. Currently she explores her curiosity about various visual forms with the research group Hyph...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;===[[Akmalia Rizqita &amp;quot;Chita&amp;quot;]]===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Akmalia Rizqita&amp;#039;&amp;#039;&amp;#039; (b. 1996, Jakarta) or better known as ‘Chita’, channels her interests in art organization through working in art spaces and organizing various art programs. She worked as a gallery manager at RUBANAH Underground Hub, Jakarta from 2018 to 2023, and was a member of the curatorial team of “Jakarta Biennale 2021: ESOK”. Currently she explores her curiosity about various visual forms with the research group Hyphen—.&lt;/div&gt;</summary>
		<author><name>R Intan</name></author>
	</entry>
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