A roundabout: Blooming mementos, towards monument - Revision history

Andri Setiawan at 08:40, 2 September 2025

2025-09-02T08:40:32Z

← Older revision		Revision as of 08:40, 2 September 2025
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	[[File:TPFWWS Aroundabout bookcover.jpeg\|300px\|right\|thumb]]		[[File:TPFWWS Aroundabout bookcover.jpeg\|300px\|right\|thumb]]
	''A roundabout: Blooming mementos, towards monument'' is a research showcase by [[project:about\|Hyphen—]], commissioned by [https://www.jimthompsonartcenter.org Jim Thompson Art Center] for [https://www.jimthompsonartcenter.org/exhibitions/the-shattered-worlds-micro-narratives-from-the-ho-chi-minh-trail-to-the-great-steppe The Shattered Worlds: Micro narratives from the Ho Chi Minh Trail to the Great Steppe]. Showcasing works of Arie Syarifudin, Basoeki Abdullah, chitarum, Edhi Sunarso, Ki Tjokrowasito, Kustiyah, Nadiah Bamadhaj, Nasikin Ahmad, Paduan suara Dialita (Dialita choir), Paduan suara Lembaga Kebudayaan Rakyat (LEKRA choir), Siti Ruliyati, and Viroj Chiam-Chirawat.		''A roundabout: Blooming mementos, towards monument'' is a research showcase by [[project:about\|Perkumpulan Tanda Hubung Indonesia (Hyphen—)]], commissioned by [https://www.jimthompsonartcenter.org Jim Thompson Art Center] for [https://www.jimthompsonartcenter.org/exhibitions/the-shattered-worlds-micro-narratives-from-the-ho-chi-minh-trail-to-the-great-steppe The Shattered Worlds: Micro narratives from the Ho Chi Minh Trail to the Great Steppe]. Showcasing works of Arie Syarifudin, Basoeki Abdullah, chitarum, Edhi Sunarso, Ki Tjokrowasito, Kustiyah, Nadiah Bamadhaj, Nasikin Ahmad, Paduan suara Dialita (Dialita choir), Paduan suara Lembaga Kebudayaan Rakyat (LEKRA choir), Siti Ruliyati, and Viroj Chiam-Chirawat.

	This showcase is part of [[project:about\|Hyphen—]]’s research trajectory titled [[The planet from where we stand]]. Departing from the ''1955 Asian-African Conference'' (Bandung Conference), we revisit the event not as a static moment in history, but as a living site of inquiry. We trace what remains, what has been exaggerated or erased, and what is yet to come. While the conference is often celebrated as a symbol of global solidarity, without critical reflection, it risks being reduced to mere nostalgia. Strikingly, no official group photograph of all the delegates, only silent floral arrangements appear again and again, bearing quiet witness to the occasion. From the quiet presence of mementos and monuments, we drift through histories that are deeply entangled, between nations, ideologies, and the memories that continue to shape our understanding of the present.		This showcase is part of [[project:about\|Perkumpulan Tanda Hubung Indonesia (Hyphen—)]]’s research trajectory titled [[The planet from where we stand]]. Departing from the ''1955 Asian-African Conference'' (Bandung Conference), we revisit the event not as a static moment in history, but as a living site of inquiry. We trace what remains, what has been exaggerated or erased, and what is yet to come. While the conference is often celebrated as a symbol of global solidarity, without critical reflection, it risks being reduced to mere nostalgia. Strikingly, no official group photograph of all the delegates, only silent floral arrangements appear again and again, bearing quiet witness to the occasion. From the quiet presence of mementos and monuments, we drift through histories that are deeply entangled, between nations, ideologies, and the memories that continue to shape our understanding of the present.

	==Research, curatorial, and book team==		==Research, curatorial, and book team==

Andri Setiawan: /* Research, curatorial, and book team */

2025-09-02T08:37:41Z

Research, curatorial, and book team

← Older revision		Revision as of 08:37, 2 September 2025
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	==Research, curatorial, and book team==		==Research, curatorial, and book team==
	Editor [[project:about\|Hyphen—]]<br/>		Editor [[project:about\|Perkumpulan Tanda Hubung Indonesia (Hyphen—)]]<br/>
	Writers [[Andri Setiawan]], [[Grace Samboh]], [[Rachel K. Surijata]]<br/>		Writers [[Andri Setiawan]], [[Grace Samboh]], [[Rachel K. Surijata]]<br/>
	Designer Arie Syarifudin<br/>		Designer Arie Syarifudin<br/>

Andri Setiawan: /* Published by Hyphen— */

2025-09-02T08:36:46Z

Published by Hyphen—

← Older revision		Revision as of 08:36, 2 September 2025
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	Designer Arie Syarifudin<br/>		Designer Arie Syarifudin<br/>

	==Published by Hyphen—==		==Published by Perkumpulan Tanda Hubung Indonesia (Hyphen—)==
	in conjunction with<br>		in conjunction with<br>
	''A roundabout: Blooming mementos, towards monument''<br>		''A roundabout: Blooming mementos, towards monument''<br>

GraceSamboh at 05:50, 31 July 2025

2025-07-31T05:50:43Z

← Older revision		Revision as of 05:50, 31 July 2025
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			[[File:TPFWWS Aroundabout bookcover.jpeg\|300px\|right\|thumb]]
	''A roundabout: Blooming mementos, towards monument'' is a research showcase by [[project:about\|Hyphen—]], commissioned by [https://www.jimthompsonartcenter.org Jim Thompson Art Center] for [https://www.jimthompsonartcenter.org/exhibitions/the-shattered-worlds-micro-narratives-from-the-ho-chi-minh-trail-to-the-great-steppe The Shattered Worlds: Micro narratives from the Ho Chi Minh Trail to the Great Steppe]. Showcasing works of Arie Syarifudin, Basoeki Abdullah, chitarum, Edhi Sunarso, Ki Tjokrowasito, Kustiyah, Nadiah Bamadhaj, Nasikin Ahmad, Paduan suara Dialita (Dialita choir), Paduan suara Lembaga Kebudayaan Rakyat (LEKRA choir), Siti Ruliyati, and Viroj Chiam-Chirawat.		''A roundabout: Blooming mementos, towards monument'' is a research showcase by [[project:about\|Hyphen—]], commissioned by [https://www.jimthompsonartcenter.org Jim Thompson Art Center] for [https://www.jimthompsonartcenter.org/exhibitions/the-shattered-worlds-micro-narratives-from-the-ho-chi-minh-trail-to-the-great-steppe The Shattered Worlds: Micro narratives from the Ho Chi Minh Trail to the Great Steppe]. Showcasing works of Arie Syarifudin, Basoeki Abdullah, chitarum, Edhi Sunarso, Ki Tjokrowasito, Kustiyah, Nadiah Bamadhaj, Nasikin Ahmad, Paduan suara Dialita (Dialita choir), Paduan suara Lembaga Kebudayaan Rakyat (LEKRA choir), Siti Ruliyati, and Viroj Chiam-Chirawat.

GraceSamboh: /* Research and curatorial team */

2025-07-31T05:43:20Z

Research and curatorial team

← Older revision		Revision as of 05:43, 31 July 2025
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	This showcase is part of [[project:about\|Hyphen—]]’s research trajectory titled [[The planet from where we stand]]. Departing from the ''1955 Asian-African Conference'' (Bandung Conference), we revisit the event not as a static moment in history, but as a living site of inquiry. We trace what remains, what has been exaggerated or erased, and what is yet to come. While the conference is often celebrated as a symbol of global solidarity, without critical reflection, it risks being reduced to mere nostalgia. Strikingly, no official group photograph of all the delegates, only silent floral arrangements appear again and again, bearing quiet witness to the occasion. From the quiet presence of mementos and monuments, we drift through histories that are deeply entangled, between nations, ideologies, and the memories that continue to shape our understanding of the present.		This showcase is part of [[project:about\|Hyphen—]]’s research trajectory titled [[The planet from where we stand]]. Departing from the ''1955 Asian-African Conference'' (Bandung Conference), we revisit the event not as a static moment in history, but as a living site of inquiry. We trace what remains, what has been exaggerated or erased, and what is yet to come. While the conference is often celebrated as a symbol of global solidarity, without critical reflection, it risks being reduced to mere nostalgia. Strikingly, no official group photograph of all the delegates, only silent floral arrangements appear again and again, bearing quiet witness to the occasion. From the quiet presence of mementos and monuments, we drift through histories that are deeply entangled, between nations, ideologies, and the memories that continue to shape our understanding of the present.

	==Research and ~~curatorial~~ team==		==Research, curatorial, and book team==
	Editor [[project:about\|Hyphen—]]<br/>		Editor [[project:about\|Hyphen—]]<br/>
	Writers [[Andri Setiawan]], [[Grace Samboh]], [[Rachel K. Surijata]]<br/>		Writers [[Andri Setiawan]], [[Grace Samboh]], [[Rachel K. Surijata]]<br/>
			Designer Arie Syarifudin<br/>

	==Published by Hyphen—==		==Published by Hyphen—==

GraceSamboh: /* Research and curatorial team */

2025-07-31T05:42:28Z

Research and curatorial team

← Older revision		Revision as of 05:42, 31 July 2025
Line 4:		Line 4:

	==Research and curatorial team==		==Research and curatorial team==
	[[project:about\|Hyphen—]] ([[Andri Setiawan]], [[Grace Samboh]], [[Rachel K. Surijata]])		Editor [[project:about\|Hyphen—]]<br/>
			Writers [[Andri Setiawan]], [[Grace Samboh]], [[Rachel K. Surijata]]<br/>

	==Published by Hyphen—==		==Published by Hyphen—==

GraceSamboh at 05:41, 31 July 2025

2025-07-31T05:41:15Z

← Older revision		Revision as of 05:41, 31 July 2025
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			''A roundabout: Blooming mementos, towards monument'' is a research showcase by [[project:about\|Hyphen—]], commissioned by [https://www.jimthompsonartcenter.org Jim Thompson Art Center] for [https://www.jimthompsonartcenter.org/exhibitions/the-shattered-worlds-micro-narratives-from-the-ho-chi-minh-trail-to-the-great-steppe The Shattered Worlds: Micro narratives from the Ho Chi Minh Trail to the Great Steppe]. Showcasing works of Arie Syarifudin, Basoeki Abdullah, chitarum, Edhi Sunarso, Ki Tjokrowasito, Kustiyah, Nadiah Bamadhaj, Nasikin Ahmad, Paduan suara Dialita (Dialita choir), Paduan suara Lembaga Kebudayaan Rakyat (LEKRA choir), Siti Ruliyati, and Viroj Chiam-Chirawat.

			This showcase is part of [[project:about\|Hyphen—]]’s research trajectory titled [[The planet from where we stand]]. Departing from the ''1955 Asian-African Conference'' (Bandung Conference), we revisit the event not as a static moment in history, but as a living site of inquiry. We trace what remains, what has been exaggerated or erased, and what is yet to come. While the conference is often celebrated as a symbol of global solidarity, without critical reflection, it risks being reduced to mere nostalgia. Strikingly, no official group photograph of all the delegates, only silent floral arrangements appear again and again, bearing quiet witness to the occasion. From the quiet presence of mementos and monuments, we drift through histories that are deeply entangled, between nations, ideologies, and the memories that continue to shape our understanding of the present.

	==Research and curatorial team==		==Research and curatorial team==
	[[project:about\|Hyphen—]] ([[Andri Setiawan]], [[Grace Samboh]], [[Rachel K. Surijata]])		[[project:about\|Hyphen—]] ([[Andri Setiawan]], [[Grace Samboh]], [[Rachel K. Surijata]])

	“A roundabout: Blooming mementos, towards monument” is a research showcase by [[project:about\|Hyphen—]], commissioned by [https://www.jimthompsonartcenter.org Jim Thompson Art Center] for [https://www.jimthompsonartcenter.org/exhibitions/the-shattered-worlds-micro-narratives-from-the-ho-chi-minh-trail-to-the-great-steppe The Shattered Worlds: Micro narratives from the Ho Chi Minh Trail to the Great Steppe]. Showcasing works of Arie Syarifudin, Basoeki Abdullah, chitarum, Edhi Sunarso, Ki Tjokrowasito, Kustiyah, Nadiah Bamadhaj, Nasikin Ahmad, Paduan suara Dialita (Dialita choir), Paduan suara Lembaga Kebudayaan Rakyat (LEKRA choir), Siti Ruliyati, and Viroj Chiam-Chirawat.

	This showcase is part of [[project:about\|Hyphen—]]’s research trajectory titled [[The planet from where we stand]]. Departing from the ''1955 Asian-African Conference'' (Bandung Conference), we revisit the event not as a static moment in history, but as a living site of inquiry. We trace what remains, what has been exaggerated or erased, and what is yet to come. While the conference is often celebrated as a symbol of global solidarity, without critical reflection, it risks being reduced to mere nostalgia. Strikingly, no official group photograph of all the delegates, only silent floral arrangements appear again and again, bearing quiet witness to the occasion. From the quiet presence of mementos and monuments, we drift through histories that are deeply entangled, between nations, ideologies, and the memories that continue to shape our understanding of the present.

	==Published by Hyphen—==		==Published by Hyphen—==

GraceSamboh at 05:34, 31 July 2025

2025-07-31T05:34:37Z

← Older revision		Revision as of 05:34, 31 July 2025
Line 7:		Line 7:
	This showcase is part of [[project:about\|Hyphen—]]’s research trajectory titled [[The planet from where we stand]]. Departing from the ''1955 Asian-African Conference'' (Bandung Conference), we revisit the event not as a static moment in history, but as a living site of inquiry. We trace what remains, what has been exaggerated or erased, and what is yet to come. While the conference is often celebrated as a symbol of global solidarity, without critical reflection, it risks being reduced to mere nostalgia. Strikingly, no official group photograph of all the delegates, only silent floral arrangements appear again and again, bearing quiet witness to the occasion. From the quiet presence of mementos and monuments, we drift through histories that are deeply entangled, between nations, ideologies, and the memories that continue to shape our understanding of the present.		This showcase is part of [[project:about\|Hyphen—]]’s research trajectory titled [[The planet from where we stand]]. Departing from the ''1955 Asian-African Conference'' (Bandung Conference), we revisit the event not as a static moment in history, but as a living site of inquiry. We trace what remains, what has been exaggerated or erased, and what is yet to come. While the conference is often celebrated as a symbol of global solidarity, without critical reflection, it risks being reduced to mere nostalgia. Strikingly, no official group photograph of all the delegates, only silent floral arrangements appear again and again, bearing quiet witness to the occasion. From the quiet presence of mementos and monuments, we drift through histories that are deeply entangled, between nations, ideologies, and the memories that continue to shape our understanding of the present.

	==~~'''~~Published by Hyphen—~~'''~~==		==Published by Hyphen—==
	in conjunction with<br>		in conjunction with<br>
	''A roundabout: Blooming mementos, towards monument''<br>		''A roundabout: Blooming mementos, towards monument''<br>

GraceSamboh at 05:34, 31 July 2025

2025-07-31T05:34:11Z

← Older revision		Revision as of 05:34, 31 July 2025
Line 3:		Line 3:
	[[project:about\|Hyphen—]] ([[Andri Setiawan]], [[Grace Samboh]], [[Rachel K. Surijata]])		[[project:about\|Hyphen—]] ([[Andri Setiawan]], [[Grace Samboh]], [[Rachel K. Surijata]])

	“A roundabout: Blooming mementos, towards monument” is a research showcase by [Hyphen— ~~https://hyphen.web.id/index.php/Project:About~~], commissioned by [https://www.jimthompsonartcenter.org Jim Thompson Art Center] for [https://www.jimthompsonartcenter.org/exhibitions/the-shattered-worlds-micro-narratives-from-the-ho-chi-minh-trail-to-the-great-steppe The Shattered Worlds: Micro narratives from the Ho Chi Minh Trail to the Great Steppe]. Showcasing works of Arie Syarifudin, Basoeki Abdullah, chitarum, Edhi Sunarso, Ki Tjokrowasito, Kustiyah, Nadiah Bamadhaj, Nasikin Ahmad, Paduan suara Dialita (Dialita choir), Paduan suara Lembaga Kebudayaan Rakyat (LEKRA choir), Siti Ruliyati, and Viroj Chiam-Chirawat.		“A roundabout: Blooming mementos, towards monument” is a research showcase by [[project:about\|Hyphen—]], commissioned by [https://www.jimthompsonartcenter.org Jim Thompson Art Center] for [https://www.jimthompsonartcenter.org/exhibitions/the-shattered-worlds-micro-narratives-from-the-ho-chi-minh-trail-to-the-great-steppe The Shattered Worlds: Micro narratives from the Ho Chi Minh Trail to the Great Steppe]. Showcasing works of Arie Syarifudin, Basoeki Abdullah, chitarum, Edhi Sunarso, Ki Tjokrowasito, Kustiyah, Nadiah Bamadhaj, Nasikin Ahmad, Paduan suara Dialita (Dialita choir), Paduan suara Lembaga Kebudayaan Rakyat (LEKRA choir), Siti Ruliyati, and Viroj Chiam-Chirawat.

	This showcase is part of [Hyphen— ~~https://hyphen.web.id/index.php/Project:About~~]’s research trajectory titled [[The planet from where we stand]]. Departing from the ''1955 Asian-African Conference'' (Bandung Conference), we revisit the event not as a static moment in history, but as a living site of inquiry. We trace what remains, what has been exaggerated or erased, and what is yet to come. While the conference is often celebrated as a symbol of global solidarity, without critical reflection, it risks being reduced to mere nostalgia. Strikingly, no official group photograph of all the delegates, only silent floral arrangements appear again and again, bearing quiet witness to the occasion. From the quiet presence of mementos and monuments, we drift through histories that are deeply entangled, between nations, ideologies, and the memories that continue to shape our understanding of the present.		This showcase is part of [[project:about\|Hyphen—]]’s research trajectory titled [[The planet from where we stand]]. Departing from the ''1955 Asian-African Conference'' (Bandung Conference), we revisit the event not as a static moment in history, but as a living site of inquiry. We trace what remains, what has been exaggerated or erased, and what is yet to come. While the conference is often celebrated as a symbol of global solidarity, without critical reflection, it risks being reduced to mere nostalgia. Strikingly, no official group photograph of all the delegates, only silent floral arrangements appear again and again, bearing quiet witness to the occasion. From the quiet presence of mementos and monuments, we drift through histories that are deeply entangled, between nations, ideologies, and the memories that continue to shape our understanding of the present.

	=='''Published by Hyphen—'''==		=='''Published by Hyphen—'''==

GraceSamboh at 05:33, 31 July 2025

2025-07-31T05:33:45Z

← Older revision		Revision as of 05:33, 31 July 2025
Line 1:		Line 1:

	==Research and curatorial team==		==Research and curatorial team==
	[[~~Hyphen—~~ project:about]] ([[Andri Setiawan]], [[Grace Samboh]], [[Rachel K. Surijata]])		[[project:about\|Hyphen—]] ([[Andri Setiawan]], [[Grace Samboh]], [[Rachel K. Surijata]])

	“A roundabout: Blooming mementos, towards monument” is a research showcase by [Hyphen— https://hyphen.web.id/index.php/Project:About], commissioned by [https://www.jimthompsonartcenter.org Jim Thompson Art Center] for [https://www.jimthompsonartcenter.org/exhibitions/the-shattered-worlds-micro-narratives-from-the-ho-chi-minh-trail-to-the-great-steppe The Shattered Worlds: Micro narratives from the Ho Chi Minh Trail to the Great Steppe]. Showcasing works of Arie Syarifudin, Basoeki Abdullah, chitarum, Edhi Sunarso, Ki Tjokrowasito, Kustiyah, Nadiah Bamadhaj, Nasikin Ahmad, Paduan suara Dialita (Dialita choir), Paduan suara Lembaga Kebudayaan Rakyat (LEKRA choir), Siti Ruliyati, and Viroj Chiam-Chirawat.		“A roundabout: Blooming mementos, towards monument” is a research showcase by [Hyphen— https://hyphen.web.id/index.php/Project:About], commissioned by [https://www.jimthompsonartcenter.org Jim Thompson Art Center] for [https://www.jimthompsonartcenter.org/exhibitions/the-shattered-worlds-micro-narratives-from-the-ho-chi-minh-trail-to-the-great-steppe The Shattered Worlds: Micro narratives from the Ho Chi Minh Trail to the Great Steppe]. Showcasing works of Arie Syarifudin, Basoeki Abdullah, chitarum, Edhi Sunarso, Ki Tjokrowasito, Kustiyah, Nadiah Bamadhaj, Nasikin Ahmad, Paduan suara Dialita (Dialita choir), Paduan suara Lembaga Kebudayaan Rakyat (LEKRA choir), Siti Ruliyati, and Viroj Chiam-Chirawat.