A special presentation in ARTJOG 2023 Motif: Lamaranof Kustiyah’s works (b. Probolinggo, 1935; d. Yogyakarta, 2012)by Hyphen— “Kustiyah, an ASRI student, painted the scenery of Tegal beach.” This was what accompanied a portrait in SIASAT magazine, issue 484th, September 1956. Submitted by a resident of Kalibuntu, Tegal, the portrait depicted a young woman painting on […]
A research project on and around Danarto dkk (‘Danarto and friends’) This is the title of a 1982 text that the late Danarto (b. Sragen, Central Java, 1940; d. Jakarta, 2018) would read in various artist talks, what would today be called his ‘artist statement.’ Where better to begin our journey to unravel Danarto’s practice […]
A adawi— mirip apa-apa yang ada adigung — membanggakan kebesaran diri anganan — 1 apa-apa yang diangankan; 2 hasil anganan, mis. suatu gambar anggit — >> menganggit = mengarang, menggubah, menyusun >> anggitan anta— sifat/khuluk hakiki artikel — dari article, sebutan bagi karangan dalam CD dll. asbun — asal bunyi asor — (ber)mutu rendah, inferior; kuwamula*, kalah awa … […]
Para akademisi dan sejarawan seni nyaris sepakat bahwa GSRBI berpengaruh besar dalam perkembangan seni rupa di Indonesia. Satu-satunya buku yang benar-benar pernah diterbitkan dan didistribusikan kepada publik mengenai mereka adalah buku bertajuk Gerakan Seni Rupa Baru Indonesia (Jakarta: Gramedia, 1979) yang bahannya dikumpulkan, dirancang, dan disunting oleh para eksponennya sendiri. Tak banyak cerita mengenai karya […]
We have been working on this Seni Rupa Baru research since 2013. Now, we are finally in the process of editing the new 11 essays! They are: Amanda K. Rath; Bambang Bujono; Patrick D. Flores; Hendro Wiyanto; TK Sabapathy; Nuraini Juliastuti; Aminuddin TH Siregar; Mahardika Yudha; Brigitta Isabella and Syafiatudina; and ourselves, Hyphen. Facts, news and essays from within […]
Join us in Melbourne for a three-day symposium to reflect on the pivotal, artist-run events that engendered a transnational contemporary art circuit in Southeast Asia in the 1990s. Informed by recent archival research undertaken into Chiang Mai Social Installation (CMSI), an art festival held in northern Thailand, we propose three key questions for discussion during […]
3 KARYA! adalah sebuah situs-tumbuh yang menghadirkan sejarah karya seni rupa Indonesia dari sudut pandang para pelakunya (seniman, kurator, kolektor, galeris, manajer, artisan, dll). Karya-karya seni rupa yang dicatatkan dalam 3 KARYA! tidak berbatas waktu (dibuat pada tahun berapa saja) dan tidak berbatas bentuk (mulai dari lukisan, grafis, gambar, video, performans, patung, obyek, happening, intervensi, site specific, karya seni di ruang […]
Equator Symposium is international in scale, involving specialists and practitioners from various nations which can be included in breadth and scope of the equatorial line. Within the framework of an expert and knowledgeable discourse, the Equator Symposium will be cross-disciplinary, although its focus of attention is contemporary art. In this way the practice and discourse […]
It is generally agreed by scholars, critics and art practitioners alike that Gerakan Seni Rupa Baru Indonesia (GSRBI, Indonesia New Art Movement) is an influential art collective which has played a very significant role in the development of contemporary art in Indonesia. However, there is very little reliable material or comprehensive information about GSRBI. To […]
Disusun oleh: Adjat Sakri, Mocthar Apin, Sanento Yuliman, G. Sidharta, dan A. Subarna Penerbit ITB, Bandung, 1985 A abstract, sari ; abstrak accessory, lengkapan advertisement, iklan ; reklame ; pariwara advertising, periklanan alloy (v.), melakurkan alloy (n.), lakuran analogous color, warna karib analogy, kias ; analogi antique, kuna ; antik antiquity, 1. kekunaan ; keantikan. […]