During our residency at ARCUS, we held another edition of Taman Bacaan Danarto as an attempt of (re)introducing writer, artist, and theatre-maker Danarto (1941-2018) into a contemporary Japanese context whilst expanding our research on the multidisciplinary sufistic artist’s engagement with the anti-Osaka movement from the 1970 World Expo in Osaka (where he was stage designer for Indonesia’s pavilion) as well as retracing two works of his.